Esther Allen—brilliant translator, champion of international literature, director of the Center for Literary Translation at Columbia, and advisory board member of Open Letter—has an interesting article in the International Herald Tribune about Frankfurt and the To Be Translated of Not To Be report she edited.
But when you come to Hall 8, you have to line up for a metal detector. And once in, you hear and see only one language – this is the English-language hall. I never got over to Hall 8 this year, but during last year’s fair I wandered by to say hello to some American publisher friends and was struck by how lavish the stands are. The stands in Halls 5 and 6 are spiffy, but in Hall 8 it’s immediately clear that a great deal more money has been spent. This is where the sellers are.
The English-speaking world buys so little at the fair and pays so little attention in general to writing in other languages that it doesn’t even keep statistics about the percentage of books published in English that are translations. The figure of 3 percent, often bandied about, is almost certainly high.
When I was in Iowa for the 40th Anniversary celebration of the International Writing Program, Eliot Weinberger insisted that this 3% figure was grossly exaggerated and that the real number is closer to .3%. (And that we should change the name of the blog.) He said that the 3% figure includes any book with an ISBN, and that if you only look at nationally distributed titles (which I think is a fair criteria), there’s probably only 300 works of translated literary fiction published every year. (I have a feeling he’s right about this.)
All of this—in combination with finding out that I missed some awesome salsa dancing with the Catalans—is awful depressing, so I’m done blogging for today.
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .