So, yesterday was the official release date for Benjamin Stein’s The Canvas, one of the most curiously designed Open Letter books to date. With two openings, and myriad ways to read it, you can read a totally different Canvas at the same time as your friend:
The novel consists of two narratives: Amnon Zichroni’s depiction of growing up in an orthodox Jewish family, and his eventual realization of his “gift” to see people’s memories; and, Jan Wechsler’s quest to recover his missing memories after receiving a mysterious briefcase with information about his past. These two stories play off each other in subtle ways, and it’s not until the very end of the book (or middle, if you prefer) that you find out how the two character intersect . . .
To celebrate this (and my birthday, which is why we always publish a book on September 26th), we’re offering The Canvas for free to all new Open Letter subscribers. If you’ve been thinking about signing up—and who hasn’t? what could be better than receiving an excellent work in translation every month—this is the time. You’ll get 6 books for $60 or 11 for $100, which is just an insanely good bargain.
So since up for the savings, and stay for the literature.
Or just sign up as a birthday present to me. Please?
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .