This is the first Brenner book to come out in English, but actually the seventh in the series. I believe that Melville House has rights to 2 or 4 more, so there will be more Brenner in the near future . . .
Also, if you’re interested, Tom Roberge and I spent a lot of time talking about this book on this week’s podcast.
Anyway, here’s the opening of my review:
Brenner and God_ is the first book in the “Brenner” series to come out in English, and only the second Wolf Haas title overall. The Weather Fifteen Years Ago came out from Ariadne Press a few years back and blew away the BTBA fiction committee—one reason why I was really excited to pick up this novel.
Unlike Weather, which is a postmodern, playful novel that’s one long interview between a female book reviewer and Wolf Haas, Brenner and God is a fairly straightforward detective novel. It centers around Brenner, a former detective who is now a chauffeur for a two-year-old girl whose father is a “Lion of Construction” responsible for building the controversial MegaLand, and whose mother runs an abortion clinic that is constantly besieged by protestors. So when Helena disappears from the back of Brenner’s car, he has dozens of suspects to investigate . . .
I don’t read a lot of detective novels, so I’m not sure exactly how to categorize this. Tom Roberge and I talked about on our most recent podcast—the difference between crime books that focus on the horrors of the criminal mind, and the ones that function more like a puzzle. In which case, Brenner and God fits more into the second category. There is some violence and gross killing, but the motives of those involved aren’t necessarily psychotic, per se. It’s more about business and politics and sex.
Click here to read the full review.
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .