As we mentioned back when it was awarded, Dubrakva Ugresic was awarded the Jean Améry Award for Essay Writing this past fall. As it turned out, fellow Open Letter author, Arnon Grunberg,- whose Tirza should be on everyone’s must read list for the spring, gave a speech about Dubravka at the awards ceremony during the Frankfurt Book Fair.
He also wrote this short post about Améry and Ugresis:
Jean Améry (born Hans Mayer) was a completely assimilated Austrian Jew who fled to Belgium in 1938. There he joined the resistance and was captured by the Gestapo. First he was tortured and then he was sent to Auschwitz.
After the war, he wrote under the pen name Jean Améry. His essays describe his wartime experiences and question what it means to be Jewish when this identity is forced upon you. His writings are not as well-known as Primo Levi’s, but nobody has written with as much insight and intelligence about torture as Améry. (I understand that there is some irony in the notion of writing intelligently about torture, but there is some irony in all writing about wartime experiences; the aesthetic demands of literature and the cruelty of war are an uncomfortable combination.) [. . .]
Dubravka Ugrešić is a Croatian writer who lives in Amsterdam. Although she has written a few novels, she is best known for her essays. She observes her surroundings with a keen eye, and she combines irony with engagement. Some people tend to believe that irony is the enemy of engagement, but engagement without irony is fundamentalism.
To give an example of this ironic engagement, take a look at this sentence, typical for Ugrešić : “Intellectuals are… only people who badly want to be needed by someone.”
This is an excuse, or at least an explanation, for the behavior of many an intellectual. But since Ugrešić herself is obviously an intellectual, she reflects on her own position.
Or take this sentence on contemporary literature: “Contemporary, market-oriented literature is realistic, optimistic, cheerful, sexy, explicitly or implicitly didactic, and aimed at a broad reading public. As such, it contributes to retraining and reeducation, in the spirit of the personal triumph of the good person over the bad. As such, it is social-realistic. It is merely less boring than its Soviet-Russian predecessor.”
It might be clear by now why Ugrešić manages to infuriate people, which is a side effect of a good essay. If nobody is infuriated, it probably wasn’t worth reading.
I don’t know much of anything about Jean Amery, but I do know that Dubravka Ugresic is one of the most important writers of current times, and that Karaoke Culture is a fricking masterpiece. Just read this excerpt and I’m sure you’ll agree.
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .