As the year comes to a close, we thought we’d take a minute to look back at what we’ve done over the past twelve months. It’s also that time of year when we thank you for your continued support, and ask for your help in the year to come by participating in our Annual Campaign.
You probably already know that Three Percent and Open Letter are nonprofits housed at the University of Rochester, and, as such, our annual revenue comes from a few diverse sources, including book sales, foundational support, and governmental support (from here and abroad). Our most important source of funding, however, comes from individuals, like you, interested in furthering the appreciation of international literature.
Thanks to the support of our readers and fans, we’ve accomplished more over the past year than ever before:
• We published 10 critically-acclaimed titles from around the world, including two that made Kirkus’s Best Fiction of 2012 list;
• We were awarded our first NEA Publishing Art Works grant for an amazing $45,000, one of the largest prizes awarded to any literary organization in the U.S.;
• The Reading the World Conversation Series entered its fifth season;
• Awarded the fifth annual Best Translated Book Awards;
• Continued to expand Three Percent, celebrating literature in translation;
• Offered internships and fellowships to students from around the world interested in getting into the publishing field.
So, with our achievements higher and our momentum stronger than ever before, your continued interest has never been more vital, or more appreciated. Our goal is to foster a healthy book culture—something that wouldn’t be possible without you.
To that end, please consider supporting Three Percent and Open Letter. Your tax-deductible contribution to our Annual Campaign — online or via mail with this donation form — will ensure that this important undertaking continues to flourish, expand, and engage with more readers than ever before.
Chad W. Post
Art & Operations
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .