As the year comes to a close, we thought we’d take a minute to look back at what we’ve done over the past twelve months. It’s also that time of year when we thank you for your continued support, and ask for your help in the year to come by participating in our Annual Campaign.
You probably already know that Three Percent and Open Letter are nonprofits housed at the University of Rochester, and, as such, our annual revenue comes from a few diverse sources, including book sales, foundational support, and governmental support (from here and abroad). Our most important source of funding, however, comes from individuals, like you, interested in furthering the appreciation of international literature.
Thanks to the support of our readers and fans, we’ve accomplished more over the past year than ever before:
• We published 10 critically-acclaimed titles from around the world, including two that made Kirkus’s Best Fiction of 2012 list;
• We were awarded our first NEA Publishing Art Works grant for an amazing $45,000, one of the largest prizes awarded to any literary organization in the U.S.;
• The Reading the World Conversation Series entered its fifth season;
• Awarded the fifth annual Best Translated Book Awards;
• Continued to expand Three Percent, celebrating literature in translation;
• Offered internships and fellowships to students from around the world interested in getting into the publishing field.
So, with our achievements higher and our momentum stronger than ever before, your continued interest has never been more vital, or more appreciated. Our goal is to foster a healthy book culture—something that wouldn’t be possible without you.
To that end, please consider supporting Three Percent and Open Letter. Your tax-deductible contribution to our Annual Campaign — online or via mail with this donation form — will ensure that this important undertaking continues to flourish, expand, and engage with more readers than ever before.
Chad W. Post
Art & Operations
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .