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Following Friday’s posting of our latest podcast, I received a number of requests for the full list of books that we talked about. And thanks to Tom’s diligent pre-podcast preparation (seriously, I’m not even joking), I have that complete list—in the order in which they were discussed:
- Javier Marias, The Infatuations
- Jose Manuel Prieto, Encyclopedia of a Life in Russia
- Charlotte Roche, Wrecked
- Alejandro Zambra, Ways of Going Home
- Jacques Jouet, My Beautiful Bus
- Juan Filloy, Faction
- Martin Kohan, School for Patriots
- Arnon Grunberg, Tirza
- Zachary Karabashliev, 18% Gray (along with Anne Tenino’s 18% Gray)
- Laszlo Krashnahorkai, Seiobo There Below
- Jean-Marie Blas de Robles, Where Tigers Are at Home
- Herman Koch, Dinner
- David Shields, How Literature Saved My Life
- William H. Gass, Middle C
- Marie NDiaye, All My Friends
- Santiago Roncagliolo, Hi, This Is Conchita and Other Stories
- Yoko Ogawa, Revenge
- Carlos Rojas, The Ingenious Gentleman and Poet Federico Garcia Lorca Ascends to Hell
- Mo Yan, Sandalwood Death
Nineteen books for your 2013 reading pleasure.
Reviewed by Valerie Miles
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Reviewed by Cameron Rowe
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Reviewed by Lori Feathers
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reviewed by P. T. Smith
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
Reviewed by Patience Haggin
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Reviewed by P. T. Smith
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
Reviewed by Acacia O'Connor
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
Reviewed by Christopher Iacono
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Reviewed by Alta Ifland
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Reviewed by Lori Feathers
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
Three Percent is supported in part by the New York State Council on the Arts.
