Just received this message from Erica Mena, one of the forces behind Anomalous Press, which is looking to take their virtual goods physical.
Anomalous Press is joining the physical world with a kick (start). [CWP Note: GROAN] We have six new books that are ready to be made flesh, well, paper.
Two of these books are very interesting, innovative works of translation. The first is a translation from the Latin of the 6th century poet/saint Venantius Fortunatus, collaged, manipulated and framed by poet and translator Mike Schorsch. The other is a highly literal ekphrastic translation of a Tintin comic done in French by poet Éric Suchére, and then translated from the French into English by poet and translator Sandra Doller. This book won the Anomalous Press Chapbook Contest for Innovative Translation selected by Christian Hawkey. There are excerpts of the books on the Kickstarter campaign page.
The full list of forthcoming books is below:
An Introduction to Venantius Fortunatus for Schoolchildren or Understanding the Medieval Concept World Through Metonymy by Mike Schorsch. Poetry/Translation (Latin).
The Continuing Adventures of Alice Spider by Janis Freegard. Poetry
Ghost by Sarah Tourjee. Fiction.
The Everyday Maths by Liat Berdugo. Poetry, winner of the Anomalous Press Chapbook Contest selected by Cole Swensen.
Mysteréiuse by Éric Suchére, translated by Sanrda Doller. Poetry/Translation (French), winner of the Anomalous Press Chapbook Contest selected by Christain Hawkey.
Smedley’s Secret Guide to World Literature by Jonathan Levy Wainwright IV, age 15 by Askold Melnyczuk. Fiction. [CWP Note: Although I’m not big on the cover, this is the one I’m most excited about.]
From now until February 26 you can pre-order copies and earn other rewards (handmade broadsides, books, and more) while helping us make our Kickstarter Campaign a success.
As per usual, there are different incentives for different donation levels, such as receiving 2 books, a postcard, and a shout-out online for contributing $25, or a lifetime subscription to the press AND a dinner date with an Anomalous editor for $1,000.
So, for you lonely Valentine’s Day folk, you should donate and get yourself some Anomalous date-times.
Or you could just give them some cash. They are really good people, doing really good work.
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .