One of the exciting new trends in publishing is the consolidation of mega-companies to create a totally misbalanced marketplace that mimics the unequal distribution of wealth in America that anyone who loves freedom obviously agrees with.
Well, that or the new ways that international titles are finding their way into the U.S., especially in the form of ebooks brought to you by young, exciting companies like Frisch & Co. (more on them tomorrow) and New Vessel Press.
Oh, and fuck your corporation. Or, in the immortal words of Stephen Malkmus, “Force fed integration from the corporation, I don’t need this corporation attitude.”
Digressions aside, I think it’s great that new publishers dedicated to international literature are sprouting up here and abroad, and increasing our access to interesting writing. New Vessel is one of the more ambitious (along with Deep Vellum, about which, more some other day), and has a pretty Three Percent-y mission:
New Vessel Press, founded in New York City in 2012, is an independent publishing house specializing in the translation of foreign literature into English. Today, only about three percent of the books available in the American marketplace are translations. In a globalized world, shouldn’t our choice of books be global as well? By bringing readers foreign literature and literary non-fiction as ebooks, we offer wonderful works for a very affordable price, and in a well-designed, aesthetically pleasing format. But of course, what matters most is not where the authors hail from, or what language they write in. The most important thing is the quality of the work itself. And hence our name. We publish great books, just in a new vessel.
Knowledge of foreign languages and literatures enriches our lives, offering passageways to understand and embrace the world. But corporate mergers are shrinking publishing outlets, and English increasingly predominates as the lingua franca. We believe that literary translation is both craft and art, enabling us to traverse borders and open minds. We are committed to books that offer erudition and pleasure, provoke and scintillate, transform and transport.
Missions are great, but what’s most important are the books themselves, and their first list of six titles is rather impressive.
Some Day is a family saga in which the characters find themselves caught in cycles of repetition, as if they were “rhymes in a poem, cursed with history.” They are victims of everyday magic—enchanted recipes that bring happiness and tragedy to the cooks and diners, mysterious curses that cause people’s hair to fall out and their necks to swell, capitulation to sexual desire, eliminating rational thought and giving way to unhealthy urges.
Robert and Jacob are two down-and-out Polish con men living in Israel in the 1950s. They’re planning to run a scam on an American widow visiting the country with her young son. Robert, who masterminds the scheme, and Jacob who acts it out, are tough, desperate men, exiled from their native land and adrift in the hot, nasty underworld of Tel Aviv. Robert arranges for Jacob to run into Mary, an American widow, who has enough trouble with her young son to keep her occupied all day. Her heart is open though, and the men are hoping her wallet is too. What follows is a story of love, deception, cruelty and shame, as Jacob pretends to fall in love with the American. But it’s not just Jacob who seems to be performing a role; nearly all the characters are actors in an ugly story, complete with parts for murder and suicide.
In 1776 Fanny von Arnstein, the daughter of the Jewish master of the royal mint in Berlin, came to Vienna as an 18-year-old bride. She brought with her the intellectual sharpness and vitality of her birthplace. As the daughter of a wealthy Prussian Jew, she was influenced by the philosopher Moses Mendelssohn, a family friend who spearheaded the emancipation of German Jewry. She married a financier to the Austro-Hungarian imperial court, and in 1798 her husband became the first unconverted Jew in Austria to be granted the title of baron. Soon Fanny hosted an ever more splendid salon which attracted the leading figures of the Enlightenment.
At the age of nine, Juan Salvatierra became mute following a horse riding accident. At twenty, he began secretly painting a series of long rolls of canvas in which he minutely detailed six decades of life in his village on Argentina’s river frontier with Uruguay. After the death of Salvatierra, his sons return to the village from Buenos Aires to deal with their inheritance: a shed packed with painted rolls stretching over two miles in length and depicting personal and communal history. Museum curators from Europe come calling to acquire this strange, gargantuan artwork. But an essential one of its rolls is missing. A search that illuminates the links between art and life ensues, as an intrigue of family secrets buried in the past cast their shadows on the present.
Paris in the 1920s – dizzy and decadent. Where a young man can make a fortune with his wits . . . unless he is led into temptation. Cocaine’s dandified hero Tito Arnaudi invents lurid scandals and gruesome deaths, and sells these stories to the newspapers. But his own life becomes even more outrageous than his press reports when he acquires three demanding mistresses. Elegant, witty and wicked, Pitigrilli’s classic novel was first published in Italian in 1921 and charts the comedy and tragedy of a young man’s downfall and the lure of a bygone era. The novel’s descriptions of sex and drug use prompted church authorities to place it on a list of “forbidden” books, while appealing to filmmaker Rainer Werner Fassbinder who wrote a script based on the tale.
The Good Life Elsewhere is a very funny book. It is also a very sad one. In it, Moldovan writer Vladimir Lorchenkov tells the story of a group of villagers and their tragicomic efforts, against all odds and at any cost, to emigrate from Europe’s most impoverished nation to Italy for work. This is a book with wild imagination and heartbreaking honesty, grim appraisals alongside optimistic commentary about the nature of human striving.
For now, you can preorder all of these via the New Vessel website, and in the near future, all the titles will be listed on your electronic vending platform of choice. And be sure to “like” them on Facebook and follow them on Twitter.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .