The interns have been getting marginally scandalous book assignments to review: Hannah had this one, with the nudie woman on the cover, while another of our interns is working on a review of a different book that is nudie/pornographic, kind of, in content. Or so I’ve heard. These students are possibly too patient with us. And we’re grateful.
Here’s the beginning of Hannah’s review:
If you have enough time, I’m going to recommend you sit down and read this one straight through. Natsuo Kirino is best known for her award-winning 1997 novel Out, which brought her fame in Japan and a considerable readership in the wider world as well, and although The Goddess Chronicles is not a mystery story, per se, I felt the same kind of insistent tug to read on that I get when reading mysteries. It’s not so much the feeling of dangling after a cliff-hanger as it is an almost sick fascination with finding out how next the bitter suffering of women doomed to darkness would manifest.
I’m getting ahead of myself. Let me backtrack for a moment: The Goddess Chronicles is a feminist perspective on the story of Izanami and Izanaki as told, experienced, and then seen through by Namima, the younger sister of the celebrated Oracle of a poverty-stricken island community and the priestess of darkness before she meets an untimely demise and finds herself trapped in the regret-filled underworld with a vengeful goddess. Namima learns the story of Izanami’s love of and betrayal by her husband Izanaki, and witnesses the final moments of their epic struggle, while she herself must come to terms with her own bitterness and regret set off confusingly by her love and concern for her sister and daughter, who are caught in a trap of theistic rigidity that Namima herself died escaping.
Everything in this novel is about opposites—life and death, love and hate, good and evil, yin and yang—but nothing is black and white. The Goddess Chronicles is proof positive that nothing in life (or death) has clean edges, no matter how hard we may try to impose them.
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .