Here’s the beginning of Chad’s review:
The author of more than twenty works of science fiction—both story collections and novels—Angélica Gorodischer was first introduced to English readers in 2003 with Kalpa Imperial: The Greatest Empire That Never Was, a patchwork novel that uses a variety of writing styles—fairy tales, oral histories, and political commentaries, among others—to depict the rise and fall of a nameless empire. Although Trafalgar works in the opposite direction—this book is a collection of intertwined stories wherein Trafalgar, merchant to all parts of the universe, tells stories about a cornucopia of strange worlds that he visits in his travels—the same literary touchstones are there: Italo Calvino’s Invisible Cities, Kurt Vonnegut, Philip K. Dick. And although Trafalgar fails to surpass the best works of its literary forebearers, it is a really charming book that highlights Gorodischer’s incredible world-building abilities.
Each chapter takes the form of someone (usually the narrator) listening to one of Trafalgar’s wild tales about some unique world or other while he pounds gallons of coffee and digresses all over the place. Like something dreamt up by Kilgore Trout, these worlds often have strange societal arrangements—like in “By the Light of the Chaste Electronic Moon,” which describes a civilization ruled by 1,000 women who retain their power in part by having sex only once a year, via a virtual reality creating machine—that illuminate something interesting about human nature.
For the rest of the review, go here.
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
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Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .