Here’s the beginning of Chad’s review:
The author of more than twenty works of science fiction—both story collections and novels—Angélica Gorodischer was first introduced to English readers in 2003 with Kalpa Imperial: The Greatest Empire That Never Was, a patchwork novel that uses a variety of writing styles—fairy tales, oral histories, and political commentaries, among others—to depict the rise and fall of a nameless empire. Although Trafalgar works in the opposite direction—this book is a collection of intertwined stories wherein Trafalgar, merchant to all parts of the universe, tells stories about a cornucopia of strange worlds that he visits in his travels—the same literary touchstones are there: Italo Calvino’s Invisible Cities, Kurt Vonnegut, Philip K. Dick. And although Trafalgar fails to surpass the best works of its literary forebearers, it is a really charming book that highlights Gorodischer’s incredible world-building abilities.
Each chapter takes the form of someone (usually the narrator) listening to one of Trafalgar’s wild tales about some unique world or other while he pounds gallons of coffee and digresses all over the place. Like something dreamt up by Kilgore Trout, these worlds often have strange societal arrangements—like in “By the Light of the Chaste Electronic Moon,” which describes a civilization ruled by 1,000 women who retain their power in part by having sex only once a year, via a virtual reality creating machine—that illuminate something interesting about human nature.
For the rest of the review, go here.
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .