Along with a few other independent booksellers and librarians, Karl Pohrt — owner of the amazing Shaman Drum Bookshop — went to China to attend the Beijing Book Fair, and give this speech on independent bookselling in America.
Additionally, he’s wrote a daily blog about the trip, which can be found in its entirety here.
Karl’s back in the States now, but has a couple of thoughts about the trip that are definitely worth sharing. Below is the first post. The second one—all about “deep literacy”—will go up later today.
A week and one day later, still jet lagged and sleeping badly, I fly down to Louisville, Kentucky for the American Booksellers Association Third Annual Winter Institute. Sarah McNally, Rick Simonson and Paul Yamazaki are here.
Paul’s report of our trip to his boss Lawrence Ferlinghetti pleased Mr. Ferlinghetti so much that he inscribed copies of Poetry As Insurgent Art for each of us. I am enormously touched.
“This must feel like the ultimate summer camp experience for you guys,” someone tells me during dinner. “You must feel incredibly bonded with the people you were with.”
Actually, it feels much stranger than that. Reentry following this trip has been difficult for me.
It will pass, I suppose.
Rick Simonson is posting a blog of the trip here.
You can read an interview with Allison Hill here.
Certainly we’re not the first western booksellers to visit China, as I was reminded when I saw my friend Tom Hallock, Director of Sales and Marketing at Beacon Press, this weekend in Louisville. In 1990 Tom taught English in Beijing, and he wrote a graceful essay, An American Bookman In Beijing, for the American Bookseller magazine. You can read Tom’s essay here.
This slender, uncanny volume—the second, best-selling collection of stories by Russian author Ludmilla Petrushevskaya to appear in the U.S.—has already received considerable, well-deserved praise from many critics and high profile publications. Its seventeen short tales, averaging ten pages each, are. . .
The Urdu word basti refers to any space, intimate to worldly, and is often translated as “common place” or “a gathering place.” This book by Intizar Husain, who is widely regarded as one of the most important living Pakistani writers,. . .
The Whispering Muse, one of three books by Icelandic writer Sjón just published in North America, is nothing if not inventive. Stories within stories, shifting narration, leaps in time, and characters who transform from men to birds and back again—you’ve. . .
Luis Negrón’s debut collection Mundo Cruel is a journey through Puerto Rico’s gay world. Published in 2010, the book is already in its fifth Spanish edition. Here in the U.S., the collection has been published by Seven Stories Press and. . .
To have watched from one of your patios
the ancient stars
from the bank of shadow to have watched
the scattered lights
my ignorance has learned no names for
nor their places in constellations
to have heard the ring of. . .
When Icelandic author Andri Snær Magnason first published LoveStar, his darkly comic parable of corporate power and media influence run amok, the world was in a very different place. (This was back before both Facebook and Twitter, if you can. . .
When starting Hi, This Is Conchita and Other Stories, Santiago Roncagliolo’s second work to be translated into English, I was expecting Roncagliolo to explore the line between evil and religion that was front and center in Red April. Admittedly, I. . .
Christa Wolf’s newly-translated City of Angels is a novel of atonement, and in this way the work of art that it resembles most to me is not another book, but the 2003 Sophia Coppola film Lost in Translation. Like that. . .
French author—philosopher, poet, novelist—de Roblès writes something approaching the Great (Latin) American Novel, about Brazilian characters, one of whom is steeped in the life of the seventeenth century polymath (but almost always erroneous) Jesuit Athanasius Kircher. Eleazard von Wogau, a. . .
A rich, beautifully written, consistently surprising satire, Yan Lianke’s Lenin’s Kisses boasts an elaborate, engrossing plot with disarming twists and compelling characters both challenged and challenging. It leads the reader on a strange pilgrimage—often melancholy but certainly rewarding—through a China. . .