Along with a few other independent booksellers and librarians, Karl Pohrt — owner of the amazing Shaman Drum Bookshop — went to China to attend the Beijing Book Fair, and give this speech on independent bookselling in America.
Additionally, he’s wrote a daily blog about the trip, which can be found in its entirety here.
Karl’s back in the States now, but has a couple of thoughts about the trip that are definitely worth sharing. Below is the first post. The second one—all about “deep literacy”—will go up later today.
A week and one day later, still jet lagged and sleeping badly, I fly down to Louisville, Kentucky for the American Booksellers Association Third Annual Winter Institute. Sarah McNally, Rick Simonson and Paul Yamazaki are here.
Paul’s report of our trip to his boss Lawrence Ferlinghetti pleased Mr. Ferlinghetti so much that he inscribed copies of Poetry As Insurgent Art for each of us. I am enormously touched.
“This must feel like the ultimate summer camp experience for you guys,” someone tells me during dinner. “You must feel incredibly bonded with the people you were with.”
Actually, it feels much stranger than that. Reentry following this trip has been difficult for me.
It will pass, I suppose.
Rick Simonson is posting a blog of the trip here.
You can read an interview with Allison Hill here.
Certainly we’re not the first western booksellers to visit China, as I was reminded when I saw my friend Tom Hallock, Director of Sales and Marketing at Beacon Press, this weekend in Louisville. In 1990 Tom taught English in Beijing, and he wrote a graceful essay, An American Bookman In Beijing, for the American Bookseller magazine. You can read Tom’s essay here.
The publisher’s blurb for Oleg Pavlov’s The Matiushin Case promises the prospective reader “a Crime and Punishment for today,” the sort of comparison that is almost always guaranteed to do a disservice to both the legendary dead and the ambitious. . .
One hundred years have passed since the start of World War I and it is difficult to believe that there are still novels, considered classics in their own countries, that have never been published in English. Perhaps it was the. . .
In the London of Hédi Kaddour’s Little Grey Lies, translated by Teresa Lavender Fagan, peace has settled, but the tensions, fears, and anger of the Great War remain, even if tucked away behind stories and lies. Directly ahead, as those. . .
One of the greatest services—or disservices, depending on your viewpoint—Bertrand Russell ever performed for popular philosophy was humanizing its biggest thinkers in his History. No longer were they Platonic ideals, the clean-shaven exemplars of the kind of homely truisms that. . .
The best way to review Alejandra Pizarnik’s slim collection, A Musical Hell, published by New Directions as part of their Poetry Pamphlet series, is to begin by stating that it is poetry with a capital P: serious, dense, and, some. . .
Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .
When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .
“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .
With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .
In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .