OK, I’ve been promising this for a long time, but I’ve finally got my stuff together and have information on the five judges for this year’s BTBA in Poetry.
Bios for all five can be found below, and for publishers looking to submit their books, here is a PDF of mailing list label that you can use, and here’s one with everyone’s email addresses if you’d rather submit electronically.
As with the BTBA in Fiction, any book published for the first time ever in translation between January 1, 2013 and December 31, 2013, AND available for sale in the United States is eligible. To enter a book in the contest, all you have to do is (e)mail a copy to all of the judges. (And one to me for record-keeping.)
In terms of timeframes, all poetry books should be sent to the judges by January 31st, 2014.
The finalists for this year’s Poetry award will be announced on Tuesday, April 15th at the same time as the Fiction finalists.
OK, now onto this year’s judges:
Stefania Heim is author of the collection of poems, A Table that Goes on for Miles (forthcoming January 2014 Switchback Books). Her poems, translations, and works of criticism have appeared widely, in publications including A Public Space, Aufgabe, Harper’s, Jacket2, The Literary Review, and The Paris Review. She is a founding editor of CIRCUMFERENCE: Poetry in Translation and will soon be joining the Boston Review as a new Poetry Editor.
Bill Martin is a translator, critic, and educator, and co-organizer of The Bridge reading series for literary translation.
Rebecca McKay is a poet and translator based at Florida Atlantic University. Her poems and translations have appeared in American Letters & Commentary, ACM, Third Coast, The Iowa Review, Hotel Amerika, Rhino, Natural Bridge, Rattapallax, and elsewhere.
Daniele Pantano is a Swiss poet, translator, editor, critic, and Reader in Poetry and Literary Translation at Edge Hill University, England. For more information, please visit his website..
Anna Rosenwong is a translator, poet, and higher educator. She holds an MFA from the University of Iowa and a PhD in Comparative Literature from the University of California, Irvine. She is the author of By Way of Explanation (Dancing Girl Press) and the translator of José Eugenio Sánchez’s Suite Prelude a/H1N1 (Toad Press) and Rocío Cerón’s Diorama (Phoneme Press). Her work has appeared in World Literature Today, Translation Studies, Pool, Jacket 2, Anomalous Press, The Kenyon Review, Painted Bride Quarterly, The St. Petersburg Review, Eleven Eleven, Hayden’s Ferry Review, Words Without Borders, and elsewhere.
So start sending in your submissions . . . now!
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .