For the past ten years, The Morning News hosts the Tournament of Books, a March Madness of sorts for works of fiction. Every bracket matchup is decided by a blogger/writer/critic/minor celebrity who picks between the two books on merit, readability, cover design, weight, other intangibles—whatever they want.
As a sucker for a) brackets and b) contests, I usually pay some attention to this every year. Or, I used to. Over the past few years, the “Sweet 16” titles have been overwhelmingly American. Which is fine, obviously, there are great American writers out there, but, well, at the same time, it just seems a bit provincial and lame.
SO. For this year’s Tournament—the 10th!—I’d like to see a few international works make it. More specifically I would give anything1 to get an Open Letter book into the competition.
If you click there and enter in one of the eligible Open Letter titles listed below, and then email me at chad.post [at] rochester [dot] edu, I’ll give you a special gift code to use on our new website.2
Here are the titles that are eligible for this year’s Tournament of Books:
Just choose your favorite, write it in, and email me at chad.post [at] rochester [dot] edu and I’ll give you some thanks.
1 That “anything” is capped at a $5 gift certificate to Open Letter’s website. Well, at least publicly . . . WINK, WINK.
2 More on the new site tomorrow morning when it is live, but it’s basically like the old site, only 100,000,000 TIMES COOLER. All the same products will be available, so if you’ve been holding out to buy a subscription, or waiting to get the First 50 Open Letter titles, or just want a copy of Death in Spring, you can get $5 simply by showing your love for our titles.
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .