3 December 13 | Kaija Straumanis

The latest addition to our Reviews Section is a piece by Will Evans on Anzhelina Polonskaya’s Paul Klee’s Boat, Zephyr Press.

Formerly an Open Letter apprentice and now his Own Man, Will is the mustache director behind Deep Vellum Publishing, a soon-to-be year-old literature in translation house based in Dallas Texas. Will knows incredible amounts about Russian literature, and his review on Polonskaya’s collection of poems is enough to make anyone interested. Here’s the beginning of his review:

Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the world of dancing and moved back home to the small town where she was born to focus on describing the ice within the human heart. Paul Klee’s Boat is Polonskaya’s first collection of poems published in English since her debut A Voice (Northwestern University Press, 2004), also translated by Wachtel. Her poems have been published widely in the meantime, in World Literature Today, Poetry Review, the American Poetry Review and International Poetry Review, Drunken Boat, The Iowa Review, The Massachusetts Review, and Prairie Schooner.

Described as “a rising star in Russia,” Polonskaya rose to prominence in the tumultuous post-Soviet 90s. One of the notable things about her is that she does not live in Moscow, but rather in a small town in the outer ring of exurbs outside Moscow. This distance, along with her unique background as an ice dancer with no formal poetry training other than what she read on her own from the great Russian poets, grants her work a sort of outsider status in the Russian poetry scene.
As you make your way through the collection, you will hear echoes of said great Russian poets, none more evident than the anguished voice of Akhmatova, reinvented in Polonskaya’s tragic “KURSK: AN ORATORIO REQUIEM,” a cycle of poems written over several years in remembrance of the 118 sailors killed in the sinking of the nuclear-powered Kursk submarine in August 2000. If there were one reason alone to buy this collection of poems, it would be for this requiem. It is tremendous. Powerful. Epic. Timeless. And so, so sad.

For the rest of the review, go here.


Comments are disabled for this article.
....
The Subsidiary
The Subsidiary by Matías Celedón
Reviewed by Vincent Francone

The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .

Read More >

Thus Bad Begins
Thus Bad Begins by Javier Marías
Reviewed by Kristel Thornell

Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .

Read More >

Death by Water
Death by Water by Kenzaburo Oe
Reviewed by Will Eells

Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .

Read More >

Twenty-One Cardinals
Twenty-One Cardinals by Jocelyne Saucier
Reviewed by Natalya Tausanovitch

Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .

Read More >

One of Us Is Sleeping
One of Us Is Sleeping by Josefine Klougart
Reviewed by Jeremy Garber

We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .

Read More >

Bye Bye Blondie
Bye Bye Blondie by Virginie Despentes
Reviewed by Emma Ramadan

Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .

Read More >

La Superba
La Superba by Ilja Leonard Pfeijffer
Reviewed by Anna Alden

Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .

Read More >

Intervenir/Intervene
Intervenir/Intervene by Dolores Dorantes; Rodrigo Flores Sánchez
Reviewed by Vincent Francone

It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .

Read More >

All Days Are Night
All Days Are Night by Peter Stamm
Reviewed by Lori Feathers

As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .

Read More >

The Seven Good Years
The Seven Good Years by Etgar Keret
Reviewed by Vincent Francone

It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .

Read More >