The only thing more rare than a Three Percent post praising—or at least, gently supporting—NPR is one heaping accolades on a publisher’s website. But, well, this is proof that anything is possible.
NPR, the World’s Greatest Source of Middle-minded Hem-Haw Opinions, is actually doing something bad-ass this year—foregoing year-end book lists:
You love lists. We love lists. Everyone loves lists. And in the past five years, NPR has brought you more than 80 year-end book lists — the best book club books, the best cookbooks, the best gift books, the best guilty pleasures. We listed. You clicked. Everyone was happy.
But as the holidays loomed this year, we were all suffering from a little list fatigue, and we started imagining new ways to approach our year-end best books coverage. And though
Buzzfeedthe Internet may be determined to prove otherwise, we wholeheartedly believe that human beings are capable of absorbing new information in formats that are 1) not sequentially ordered and 2) wait … dammit! and 3) never mind.
Double props for the Buzzfeed insult! Because fuck Buzzfeed. And seriously, they have ruined the idea of lists for everyone.
Instead of NPR’s typical year-end lists, they’ve come up with this discovery tool, which lists a couple hundred books that can be sub-divided into a number of categories. But unlike the normal list, books show up under more than one rubric creating a site that is “more Venn diagram-y than list-y — a site that could help you seek out the best biographies that were also love stories, or the best mysteries that were also set in the past.”
Triple props for invoking Venn diagrams.
I have to admit, this momentary respect I’m feeling for NPR is making me uncomfortable. And maybe a bit mentally aroused.
Thankfully, their selections are pretty much run-of-the-mill. Sure, Ogawa’s Revenge is included along with the new Daniel Alarcon, but Eggers’s The Circle? And that Kite Runner dude’s new book? BORING.
Well, at least we now know that you can take the list out of the Middle Mind, but not the Middle Mind out of the
list Venn diagram. Or whatever.
Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .
The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .