The only thing more rare than a Three Percent post praising—or at least, gently supporting—NPR is one heaping accolades on a publisher’s website. But, well, this is proof that anything is possible.
NPR, the World’s Greatest Source of Middle-minded Hem-Haw Opinions, is actually doing something bad-ass this year—foregoing year-end book lists:
You love lists. We love lists. Everyone loves lists. And in the past five years, NPR has brought you more than 80 year-end book lists — the best book club books, the best cookbooks, the best gift books, the best guilty pleasures. We listed. You clicked. Everyone was happy.
But as the holidays loomed this year, we were all suffering from a little list fatigue, and we started imagining new ways to approach our year-end best books coverage. And though
Buzzfeedthe Internet may be determined to prove otherwise, we wholeheartedly believe that human beings are capable of absorbing new information in formats that are 1) not sequentially ordered and 2) wait … dammit! and 3) never mind.
Double props for the Buzzfeed insult! Because fuck Buzzfeed. And seriously, they have ruined the idea of lists for everyone.
Instead of NPR’s typical year-end lists, they’ve come up with this discovery tool, which lists a couple hundred books that can be sub-divided into a number of categories. But unlike the normal list, books show up under more than one rubric creating a site that is “more Venn diagram-y than list-y — a site that could help you seek out the best biographies that were also love stories, or the best mysteries that were also set in the past.”
Triple props for invoking Venn diagrams.
I have to admit, this momentary respect I’m feeling for NPR is making me uncomfortable. And maybe a bit mentally aroused.
Thankfully, their selections are pretty much run-of-the-mill. Sure, Ogawa’s Revenge is included along with the new Daniel Alarcon, but Eggers’s The Circle? And that Kite Runner dude’s new book? BORING.
Well, at least we now know that you can take the list out of the Middle Mind, but not the Middle Mind out of the
list Venn diagram. Or whatever.
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .