The Reading the World website for 2008 is now online, complete with info about all 25 titles (from 15 different presses), info about participating bookstores, how to sign up, how to get on the mailing list, etc.
In case you’re not already familiar with this, RTW is an innovative collaboration between publishers and independent booksellers to promote literature in translation throughout the month of June. Last year over 230 bookstores across the States displayed works from these select presses, along with brochures and posters featuring artwork from the Czech artist Peter Sis.
We’re planning on reviewing most (if not all) of the titles in the program before June, and as of the moment, we’ve reviewed five:
Speaking of reviews and related RTW promotions, if anyone out there would like to help promote RTW (maybe interviewing authors/translators for your blog, reviewing some of these titles, arranging RTW events, getting more press for the participating bookstores), please e-mail me at chad.post at rochester dot edu, or post something in the comments. This program was conceived of as a grassroots sort of project that readers, reviewers, translators, booksellers, can all engage in and spread the word about in various ways. (For example, in years past the blogging community has done an amazing job helping to generate interest in the program.)
Anyway, I hope everyone finds a book or two from the list to enjoy, and I also hope all your local independent stores are participating . . .
Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .
The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .