The Reading the World website for 2008 is now online, complete with info about all 25 titles (from 15 different presses), info about participating bookstores, how to sign up, how to get on the mailing list, etc.
In case you’re not already familiar with this, RTW is an innovative collaboration between publishers and independent booksellers to promote literature in translation throughout the month of June. Last year over 230 bookstores across the States displayed works from these select presses, along with brochures and posters featuring artwork from the Czech artist Peter Sis.
We’re planning on reviewing most (if not all) of the titles in the program before June, and as of the moment, we’ve reviewed five:
Speaking of reviews and related RTW promotions, if anyone out there would like to help promote RTW (maybe interviewing authors/translators for your blog, reviewing some of these titles, arranging RTW events, getting more press for the participating bookstores), please e-mail me at chad.post at rochester dot edu, or post something in the comments. This program was conceived of as a grassroots sort of project that readers, reviewers, translators, booksellers, can all engage in and spread the word about in various ways. (For example, in years past the blogging community has done an amazing job helping to generate interest in the program.)
Anyway, I hope everyone finds a book or two from the list to enjoy, and I also hope all your local independent stores are participating . . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .