29 January 14 | Kaija Straumanis

The latest addition to our Reviews Section is a piece by Jeremy Garber on Talking to Ourselves by Andrés Neuman, translated by Nick Caistor and Lorenza Garcia, out from FSG.

Andrés Neuman has quickly become an in-house name here at Open Letter/Three Percent, and, as Jeremy hints at in his review, everyone either can’t wait to get started on reading him, or can’t wait to keep reading him. Andrés will also be at the University of Rochester at the end of April for our Reading the World Conversation Series event.

Jeremy has written for The Oregonian, the Oregon Historical Quarterly, and on Powells.com, and is a great source of reviews in general and reader of world lit. Here’s a bit from his review:

Talking to Ourselves (_Hablar solos), the second of Neuman’s books to be rendered into English, could not be more unlike its predecessor in translation—be it thematically or stylistically. Whereas Traveler of the Century was an epic novel of ideas, Talking to Ourselves is a far more intimate, personal work dealing with loss and mortality. There are no early-19th century self-rearranging german towns or cave-dwelling organ grinders to be found herein, but instead a small family forced to confront a reality teetering precariously upon the cusp of sorrow and uncertainty.

Set across an ambiguous landscape that appears to encompass both Spain and Latin America, Talking to Ourselves transcends geographical borders as easily as it does those of fidelity and compassion. Mario, afflicted with a cancer that brings him ever closer to death, sets out on (what he knows to be) a final road trip with his young son, Lito. staying behind is Mario’s wife, Elena, heartbroken over her family’s impending fate, yet able to find mild comfort within the pages of literature. With Mario’s illness looming, husband/father, wife/mother, and son are left to make sense of their inevitable realities however best they can—longing for intimacy and release, yet unable to overcome the emotional alienation imposed upon them by imminent dissolution.

Told, in turns, from the perspective of each of the three main characters, Talking to Ourselves is, narratively speaking, a most ambitious effort. Alternating between Lito, Elena, and Mario, Neuman captures the distinction and nuance of these individual voices—inhabiting their inner worlds (in one form or another) to reveal fears, hopes, misgivings, doubts, and longings. Not only is each respective chapter told from the viewpoint of one of the three—each is also conveyed in a different format altogether: Lito’s excitable, curious, and impatient stream-of-thought expression befitting a 10-year old, Elena’s ongoing and forthright diary compositions, and Mario’s series of tape recordings to be left behind for Lito after his passing. Neuman’s stylistic choice works to magnificent effect (however arduous a task it must have been to pull off), as he easily transitions between voices and forms to reveal the thoughts and feelings that seem to so overwhelm each character, despite their inability to share openly with one another.

For the rest of the review, go here.

Comments are disabled for this article.
Private Life
Private Life by Josep Maria de Sagarra
Reviewed by Christopher Iacono

In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:

When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .

Read More >

Dinner by César Aira
Reviewed by Lori Feathers

César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .

Read More >

We're Not Here to Disappear
We're Not Here to Disappear by Olivia Rosenthal
Reviewed by Megan C. Ferguson

Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .

Read More >

The Queen's Caprice
The Queen's Caprice by Jean Echenoz
Reviewed by Christopher Iacono

Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .

Read More >

French Concession
French Concession by Xiao Bai
Reviewed by Emily Goedde

Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .

Read More >

Anna Karenina
Anna Karenina by Leo Tolstoy
Reviewed by Christopher Iacono

For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .

Read More >

The Cold Song
The Cold Song by Linn Ullmann
Reviewed by David Richardson

Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .

Read More >

This Life
This Life by Karel Schoeman
Reviewed by P. T. Smith

Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .

Read More >

A Dilemma
A Dilemma by Joris-Karl Hyusmans
Reviewed by Christopher Iacono

In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .

Read More >

Walker on Water
Walker on Water by Kristiina Ehin
Reviewed by P. T. Smith

There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .

Read More >