I was probably asleep at the wheel in years past, but I think it’s really cool that Publishers Weekly announced the names of the five finalists for 2014 Bookstore of the Year.
Here’s the list of the finalists with some commentary on why they should win:
Do you have any idea how many Open Letter books are on display in this store? Pets (in multiple places), High Tide (a staff favorite), and Elsewhere, were three of the first books I noticed when I walked in there last week. If Elliott Bay takes it, I think it’s because of the “More Open Letter Books = Great Store” hypothesis. Also, they get bonus points for being “The” Elliot Bay Book Company.
I’ve never been to McLean & Eakin, but as a Michigander, I spent a week every year from K through 5th Grade polishing Petoskey stones. So smooth and pretty! Given that Petoskey has a population of under 6,000 (although they do attract the tourists!), it would be kind of cool for McLean & Eakin to win. The real question: How many Open Letter books do they have already? I think they better stock up.
Prairie Lights is pretty much the only thing that people from the University of Iowa talk about. I’m pretty sure Iowa City consists of a river, this bookstore, and a bunch of mediocre football players. (GO MICHIGAN STATE!) It’s almost unfair that this city gets such a fantastic bookstore. Paul Ingram is wonderful to talk to (and my height, which is always a bonus), and this store is the quintessential charming small-town bookstore. They very well could win this.
Women & Children First is helping sell books at an upcoming Open Letter/Black Balloon event celebrating Bulgarian literature—for that alone, they’re probably going to receive this award. But seriously, this is a great store that does what it does better than any store in the country, and has succeeded for years. When I was working for Dalkey, one of my favorite buyers to visit was at WCF . . . She’s since left the store, but I’ll forever respect the hell out of this place.
The winning store will be announced by PW just before BEA, and will be featured in the pre-BEA issue.
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .