11 August 14 | Chad W. Post

The new issue of the Buenos Aires Review is now online, and features the following:

BAR#2 features new fiction by Liliana Colanzi (Bolivia) and Thibault de Montaigu (France), as well as poetry by PEN/Joyce Osterweil Award-winning Ishion Hutchinson (Jamaica). Reviews and essays by Sam Rutter, Ernesto Hernández Busto and Stanley Bill and a walk through the Bibliothèque nationale de France with Victoria Liendo.

The piece from this that jumped out at me is Samuel Rutter’s The Internet as Novel, which is about Open Letter author Carlos Labbe’s latest novel, Piezas secretas contra el mundo.

A recent interview in El País identified Carlos Labbé (Santiago de Chile, 1977) as a writer at the forefront of a generation returning to the complex relationship between avant-garde literature and political engagement. In keeping with this characterization, Labbé’s latest novel, Piezas secretas contra el mundo, published in March by Editorial Periférica is an ambitious declaration of principles for a new understanding of the novel in the twenty-first century.

Those familiar with Labbé’s growing and challenging body of work, beginning with the hypertext novel Pentagonal, will recognise in this latest novel some of the tropes the author continues to address. There is a particularly textual nature to the worlds Labbé creates, where the acts of reading and writing form an essential part of the fabric of reality in which his protagonists exist. The increasingly political edge to the author’s prose manifests itself in this novel through its ecological themes, which have come to include the status of indigenous cultures in Chile. Labbé’s prose, full of surprisingly juxtaposed registers and genres, matches its form to its content and embroils the reader in the fusion of these competing elements in order to construct a meaningful, overarching narrative.

Presented in the form of a “choose your own adventure” novel, it is the reader and not the author who actively constructs the narrative of Piezas secretas. There are obvious affinities here with Cortázar’s Rayuela, which celebrates its fiftieth anniversary this year, but while Cortázar gave the reader a roadmap and left the ludic structure of his novel outside the narrative, Labbé’s work begins with a gnomic prologue that immediately involves the reader and layers the metafictional instructions inside the story, often providing the reader with several options for movement within its pages. As such, the experience of reading Piezas secretas is disruptive and alluring at the same time – as the reader constantly moves back and forth through the pages, it is impossible to know exactly how deep into the narrative one is at any given point. Considering the mechanics of Labbé’s prose is like pulling the case off a desktop computer and watching it tick—there is a constant hum of activity, with bulbs blinking in the darkness and a mass of plugs and wires leading in all directions, and just like the virtual memory of a computer, Labbé manages to give his narrative more scope than appears possible in a conventional 220 page novel.

Yes. Yes and more yes.

For those who can’t read Spanish, you should check out Labbe’s Navidad & Matanza And we’ll be bringing out another of his novels, Loquela, next fall.


Comments are disabled for this article.
....
Lost in Translation: An Illustrated Compendium of Untranslatable Words from Around the World
Lost in Translation: An Illustrated Compendium of Untranslatable Words from Around the World by Ella Frances Sanders
Reviewed by Kaija Straumanis

Hello and greetings in the 2017 holiday season!

For those of you still looking for something to gift a friend or family member this winter season, or if you’re on the lookout for something to gift in the. . .

Read More >

The Size of the World
The Size of the World by Branko Anđić
Reviewed by Jaimie Lau

Three generations of men—a storyteller, his father and his son—encompass this book’s world. . . . it is a world of historical confusion, illusion, and hope of three generations of Belgraders.

The first and last sentences of the first. . .

Read More >

Island of Point Nemo
Island of Point Nemo by Jean-Marie Blas de Roblès
Reviewed by Katherine Rucker

The Island of Point Nemo is a novel tour by plane, train, automobile, blimp, horse, and submarine through a world that I can only hope is what Jean-Marie Blas de Roblès’s psyche looks like, giant squids and all.

What. . .

Read More >

The Truce
The Truce by Mario Benedetti
Reviewed by Adrianne Aron

Mario Benedetti (1920-2009), Uruguay’s most beloved writer, was a man who loved to bend the rules. He gave his haikus as many syllables as fit his mood, and wrote a play divided into sections instead of acts. In his country,. . .

Read More >

I Am a Season That Does Not Exist in the World
I Am a Season That Does Not Exist in the World by Kim Kyung Ju
Reviewed by Jacob Rogers

Kim Kyung Ju’s I Am a Season That Does Not Exist in the World, translated from the Korean by Jake Levine, is a wonderful absurdist poetry collection. It’s a mix of verse and prose poems, or even poems in the. . .

Read More >

Kingdom Cons
Kingdom Cons by Yuri Herrera
Reviewed by Sarah Booker

Yuri Herrera is overwhelming in the way that he sucks readers into his worlds, transporting them to a borderland that is at once mythical in its construction and powerfully recognizable as a reflection of its modern-day counterpart. Kingdom Cons, originally. . .

Read More >

The Invented Part
The Invented Part by Rodrigo Fresán
Reviewed by Tiffany Nichols

Imagine reading a work that suddenly and very accurately calls out you, the reader, for not providing your full attention to the act of reading. Imagine how embarrassing it is when you, the reader, believe that you are engrossed in. . .

Read More >

A Simple Story: The Last Malambo
A Simple Story: The Last Malambo by Leila Guerriero
Reviewed by Emilee Brecht

Leila Guerriero’s A Simple Story: The Last Malambo chronicles the unique ferocity of a national dance competition in Argentina. The dance, called the malambo, pushes the physical and mental limits of male competitors striving to become champions of not only. . .

Read More >

The Little Buddhist Monk & The Proof
The Little Buddhist Monk & The Proof by Cesar Aira
Reviewed by Will Eells

Aira continues to surprise and delight in his latest release from New Directions, which collects two novellas: the first, The Little Buddhist Monk, a fairly recent work from 2005, and The Proof, an earlier work from 1989. There are a. . .

Read More >

Agnes
Agnes by Peter Stamm
Reviewed by Dorian Stuber

The narrator of Peter Stamm’s first novel, Agnes, originally published in 1998 and now available in the U.S. in an able translation by Michael Hofmann, is a young Swiss writer who has come to Chicago to research a book on. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >