5 November 14 | Kaija Straumanis

The latest addition. to our Reviews section is a piece by P. T. Smith on Antoine Volodine’s Writers, translated by Katina Rogers and published earlier this year by Dalkey Archive Press.

For those who don’t know, it was announced this week that Volodine had been awarded the Prix Médicis for his latest book, Terminus radieux. The prize, which is awarded in November of each year, is a French literary award founded in 1958 by Gala Barbisan and Jean-Pierre Giraudoux. Congratulations to Volodine, whose works have been translated into English and published (or are forthcoming) by various presses, including University of Nebraska Press, Dalkey Archive, and Open Letter Books.

Here’s the beginning of Patrick’s review:

Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were one to read every book by Volodine and his pseudonyms, his driving philosophy would then become fully clear. It may not be meant to.

His novels return to the post-apocalypse, to prisons, psychiatric hospitals, interrogations, and writers. They trod familiar ground, the same characters reappear, and images are like memories half-remembered. The writers he creates not only belong in his universe, but create their own projects that fit within his—it’s turtles all the way down. Yet in the reoccurrence, there is nuance, and his universe expands—the other reality of the post-exotic becomes more grounded.

The Volodine project, the pseudonyms, and the intertexual exchanges, are pushed to the forefront in responses to his work. But there are also more immediate pleasures, not dependant on his larger oeuvre. His work puts anonymous people in strange and engaging circumstances, and he lets the weirdness leave a reader to catch up, confused.

For the rest of the review, go here.


Comments are disabled for this article.
....
The Odyssey
The Odyssey by Homer
Reviewed by Peter Constantine

Now goddess, child of Zeus,
tell the old story for our modern times.

–(The Odyssey, Book I, line 10. Emily Wilson)

In literary translation of works from other eras, there are always two basic tasks that a translator needs. . .

Read More >

I Remember Nightfall
I Remember Nightfall by Marosa di Giorgio
Reviewed by Talia Franks

I Remember Nightfall by Marosa di Giorgio (trans. From the Spanish by Jeannine Marie Pitas) is a bilingual poetry volume in four parts, consisting of the poems “The History of Violets,” “Magnolia,” “The War of the Orchards,” and “The Native. . .

Read More >

Joyce y las gallinas
Joyce y las gallinas by Anna Ballbona
Reviewed by Brendan Riley

This review was originally published as a report on the book at New Spanish Books, and has been reprinted here with permission of the reviewer. The book was originally published in the Catalan by Anagrama as Joyce i les. . .

Read More >

Lost in Translation: An Illustrated Compendium of Untranslatable Words from Around the World
Lost in Translation: An Illustrated Compendium of Untranslatable Words from Around the World by Ella Frances Sanders
Reviewed by Kaija Straumanis

Hello and greetings in the 2017 holiday season!

For those of you still looking for something to gift a friend or family member this winter season, or if you’re on the lookout for something to gift in the. . .

Read More >

The Size of the World
The Size of the World by Branko Anđić
Reviewed by Jaimie Lau

Three generations of men—a storyteller, his father and his son—encompass this book’s world. . . . it is a world of historical confusion, illusion, and hope of three generations of Belgraders.

The first and last sentences of the first. . .

Read More >

Island of Point Nemo
Island of Point Nemo by Jean-Marie Blas de Roblès
Reviewed by Katherine Rucker

The Island of Point Nemo is a novel tour by plane, train, automobile, blimp, horse, and submarine through a world that I can only hope is what Jean-Marie Blas de Roblès’s psyche looks like, giant squids and all.

What. . .

Read More >

The Truce
The Truce by Mario Benedetti
Reviewed by Adrianne Aron

Mario Benedetti (1920-2009), Uruguay’s most beloved writer, was a man who loved to bend the rules. He gave his haikus as many syllables as fit his mood, and wrote a play divided into sections instead of acts. In his country,. . .

Read More >

I Am a Season That Does Not Exist in the World
I Am a Season That Does Not Exist in the World by Kim Kyung Ju
Reviewed by Jacob Rogers

Kim Kyung Ju’s I Am a Season That Does Not Exist in the World, translated from the Korean by Jake Levine, is a wonderful absurdist poetry collection. It’s a mix of verse and prose poems, or even poems in the. . .

Read More >

Kingdom Cons
Kingdom Cons by Yuri Herrera
Reviewed by Sarah Booker

Yuri Herrera is overwhelming in the way that he sucks readers into his worlds, transporting them to a borderland that is at once mythical in its construction and powerfully recognizable as a reflection of its modern-day counterpart. Kingdom Cons, originally. . .

Read More >

The Invented Part
The Invented Part by Rodrigo Fresán
Reviewed by Tiffany Nichols

Imagine reading a work that suddenly and very accurately calls out you, the reader, for not providing your full attention to the act of reading. Imagine how embarrassing it is when you, the reader, believe that you are engrossed in. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >