9 June 11 | Chad W. Post

As part of this week’s Read This Next activities, we just posted an interview with Horacio Castellanos Moya about Tyrant Memory:

Chad W. Post: How does Tyrant Memory compare to the other works of yours that have been translated into English? It seems to revolve around similar political themes.

Horacio Castellanos Moya: Tyrant Memory belongs to a group of novels that deal with members of the Aragon family. And indeed, through the personal and family problems of these characters, you can grasp some intense historical moments in Central America. This is the first of that group of novels that has been translated into English.

One difference between Tyrant Memory and the other three works of mine that have been translated into English is that most of Tyrant Memory doesn’t take place in contemporary El Salvador, but in April and May of 1944, when there was a failed military coup d’etat and then a successful general strike to put and end to a 12-year dictatorship. Politics is all around, of course, but you see it through the eyes of a conservative, catholic, 44-year old lady, and to be more precise, through her diary, where she writes down whatever happens to her since her husband was put in jail for being a journalist who supports the opposition. And this is another difference: the main characters of the other three novels are a little bit out of their minds, deeply affected by violence; in Tyrant Memory, Haydee (the main character) is ruled by common sense and strong moral principals.

CWP: “Ruled by common sense”? This seems like a sharp diversion from the (justifiably) paranoid narrator of Senselessness, or the crazed protagonist killer in Dance with Snakes, or even Laura Rivera from She-Devil. How did you like writing a (somewhat?) sane character?

HCM: It was a challenge. I had to dig deep in myself in order to grasp the mentality and the voices of those conservative, common-sensed ladies that I have met along my life. The challenge was to do it without bias, trying to see the world through their eyes. Once I got the voice, it demanded me a lot of control to keep it. It was exhausting, but I enjoyed it.

Click here to read the rest of the interview.


Comments are disabled for this article.
....
The Little Horse
The Little Horse by Thorvald Steen
Reviewed by P. T. Smith

The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .

Read More >

Guys Like Me
Guys Like Me by Dominique Fabre
Reviewed by Peter Biello

We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .

Read More >

Birth of a Bridge
Birth of a Bridge by Maylis de Kerangal
Reviewed by Christopher Iacono

One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .

Read More >

Faces in the Crowd
Faces in the Crowd by Valeria Luiselli
Reviewed by Valerie Miles

At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .

Read More >

Fantomas Versus the Multinational Vampires: An Attainable Utopia
Fantomas Versus the Multinational Vampires: An Attainable Utopia by Julio Cortázar
Reviewed by Cameron Rowe

Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .

Read More >

Self-Portrait in Green
Self-Portrait in Green by Marie NDiaye
Reviewed by Lori Feathers

Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .

Read More >

The Madmen of Benghazi
The Madmen of Benghazi by Gerard de Villiers
Reviewed by P. T. Smith

Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .

Read More >

The Four Corners of Palermo
The Four Corners of Palermo by Giuseppe Di Piazza
Reviewed by Patience Haggin

The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .

Read More >

Writers
Writers by Antoine Volodine
Reviewed by P. T. Smith

Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .

Read More >

My Brilliant Friend
My Brilliant Friend by Elena Ferrante
Reviewed by Acacia O'Connor

It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .

Read More >