Vincent Francone is one of our regular reviewers, and a writer, and a reader for TriQuarterly Online.
AmazonCrossing recently published three books by Giannini Braschi, including Yo-Yo Boing! and United States of Banana. Vince wasn’t totally sold on this book (which is probably the most obviously “experimental” of the three), as you can see in his review:
Recently, one of my coworkers asked me what I like to read. I mentioned that I am primarily interested in literature in translation. He promptly showed me his Kindle full of translated Italian mystery novels.
While I do not mean to dismiss the merits of these books, they are not exactly what I was thinking of when I said literature in translation. Indeed, just because a book is translated does not make it good. Clearly there’s no accounting for taste, and yes the three percent problem is, indeed, a problem, but I’d sooner see the three percent of translated books that make it into the American market devoted to books that take risks, tell compelling stories, and reach for something beyond the average pot boiler.
Nevertheless, there’s something to be said for plot and narrative. Giannina Braschi’s Empire of Dreams is light on both. Really, it is a collection of short prose poems that reach for heights and, sadly more times than not, fall flat.
Click here to read the full review.
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .