You can read the whole ad at that link (and it’s nothing like that other job listing from last month), but here’s the basics:
And Other Stories is an award-winning two-year-old publisher of literary writing based in the UK. We are now establishing a North American presence, largely in response to increasing interest in our titles in North America. We published Deborah Levy’s 2012 Man Booker Prize shortlisted Swimming Home (since bought by Bloomsbury USA) among other titles. We have a particularly strong list of Latin American titles, as our publisher Stefan Tobler is a translator from Portuguese (and German) while our editor Sophie Lewis works from Rio de Janeiro.
From September 2013 our new titles will be represented and distributed in North America by Consortium. We are recruiting a North American Director of Publicity to set up a home office for us in New York. The publicist will become a key part of the team. We want someone who reads widely and can speak with passion and pleasure about our books, and who is looking to stay with And Other Stories as we develop. And Other Stories has good experience of co-ordinating remote work, as our staff live in various locations. We offer an induction of two to three weeks in our main UK office at the start of the job (probably in April), so that the new person can work with the other team members and feel grounded in the role and connected to the team when back in New York. The publisher will also be in New York on occasion for face-to-face meetings.
- developing a PR strategy
- galleys mail-outs and related pitching and follow-up on titles
- maintaining contacts databases for publicity
- writing and sending out press releases
- working with editor to find best use in the media for advance extracts, shorter pieces, introductions etc
- reporting on media coverage
- contributing to Facebook and other social media activity, incl our new blog Ampersand
- seeking friends and blurbs for specific authors or books where appropriate, and building relationships for And Other Stories in general
Send your CV and salary requirements to Stefan Tobler at info[at]andotherstories.org with ‘North American Publicity’ in the subject line by Friday 15th February 2013.
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .
Let’s not deceive ourselves, man is nothing very special. In fact, there are so many of us that our governments don’t know what to do with us at all. Six billion humans on the planet and only six or seven. . .
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .