You can read the whole ad at that link (and it’s nothing like that other job listing from last month), but here’s the basics:
And Other Stories is an award-winning two-year-old publisher of literary writing based in the UK. We are now establishing a North American presence, largely in response to increasing interest in our titles in North America. We published Deborah Levy’s 2012 Man Booker Prize shortlisted Swimming Home (since bought by Bloomsbury USA) among other titles. We have a particularly strong list of Latin American titles, as our publisher Stefan Tobler is a translator from Portuguese (and German) while our editor Sophie Lewis works from Rio de Janeiro.
From September 2013 our new titles will be represented and distributed in North America by Consortium. We are recruiting a North American Director of Publicity to set up a home office for us in New York. The publicist will become a key part of the team. We want someone who reads widely and can speak with passion and pleasure about our books, and who is looking to stay with And Other Stories as we develop. And Other Stories has good experience of co-ordinating remote work, as our staff live in various locations. We offer an induction of two to three weeks in our main UK office at the start of the job (probably in April), so that the new person can work with the other team members and feel grounded in the role and connected to the team when back in New York. The publisher will also be in New York on occasion for face-to-face meetings.
- developing a PR strategy
- galleys mail-outs and related pitching and follow-up on titles
- maintaining contacts databases for publicity
- writing and sending out press releases
- working with editor to find best use in the media for advance extracts, shorter pieces, introductions etc
- reporting on media coverage
- contributing to Facebook and other social media activity, incl our new blog Ampersand
- seeking friends and blurbs for specific authors or books where appropriate, and building relationships for And Other Stories in general
Send your CV and salary requirements to Stefan Tobler at info[at]andotherstories.org with ‘North American Publicity’ in the subject line by Friday 15th February 2013.
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .