Just received this message from Erica Mena, one of the forces behind Anomalous Press, which is looking to take their virtual goods physical.
Anomalous Press is joining the physical world with a kick (start). [CWP Note: GROAN] We have six new books that are ready to be made flesh, well, paper.
Two of these books are very interesting, innovative works of translation. The first is a translation from the Latin of the 6th century poet/saint Venantius Fortunatus, collaged, manipulated and framed by poet and translator Mike Schorsch. The other is a highly literal ekphrastic translation of a Tintin comic done in French by poet Éric Suchére, and then translated from the French into English by poet and translator Sandra Doller. This book won the Anomalous Press Chapbook Contest for Innovative Translation selected by Christian Hawkey. There are excerpts of the books on the Kickstarter campaign page.
The full list of forthcoming books is below:
An Introduction to Venantius Fortunatus for Schoolchildren or Understanding the Medieval Concept World Through Metonymy by Mike Schorsch. Poetry/Translation (Latin).
The Continuing Adventures of Alice Spider by Janis Freegard. Poetry
Ghost by Sarah Tourjee. Fiction.
The Everyday Maths by Liat Berdugo. Poetry, winner of the Anomalous Press Chapbook Contest selected by Cole Swensen.
Mysteréiuse by Éric Suchére, translated by Sanrda Doller. Poetry/Translation (French), winner of the Anomalous Press Chapbook Contest selected by Christain Hawkey.
Smedley’s Secret Guide to World Literature by Jonathan Levy Wainwright IV, age 15 by Askold Melnyczuk. Fiction. [CWP Note: Although I’m not big on the cover, this is the one I’m most excited about.]
From now until February 26 you can pre-order copies and earn other rewards (handmade broadsides, books, and more) while helping us make our Kickstarter Campaign a success.
As per usual, there are different incentives for different donation levels, such as receiving 2 books, a postcard, and a shout-out online for contributing $25, or a lifetime subscription to the press AND a dinner date with an Anomalous editor for $1,000.
So, for you lonely Valentine’s Day folk, you should donate and get yourself some Anomalous date-times.
Or you could just give them some cash. They are really good people, doing really good work.
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .