For the right person, this is such a great opportunity, which is why I thought I’d just post the whole listing:
Executive Director, Words Without Borders
Full time, From Home (May change in future)
Reports to: Board of Directors
Words without Borders (wordswithoutborders.org) promotes cultural understanding through the translation, publication, and promotion of the finest contemporary international literature. Our publications and programs open doors for readers of English around the world to the multiplicity of viewpoints, richness of experience, and literary perspective on world events offered by writers in other languages. We seek to connect international writers to the general public, to students and educators, and to print and other media and to serve as a primary online location for a global literary conversation.
Words without Borders is currently a virtual organization, searching for office space.
The executive director oversees the day-to-day operations, including all fundraising activity, management and oversight of the finances, oversight of programs, including the development of the education program, and supervision of staff and volunteers. The executive director works closely with the board of directors to establish policy, seek out new sources of funding, and ensure sound financial oversight.
Fundraising and Financial Management:
• Responsible for all aspects of Words without Borders fundraising, including grant applications, corporate, foundation and private philanthropy, individual donations, and special events.
• Plan and execute annual gala for 200+ supporters.
• Work closely with the WWB board and staff to cultivate, engage, and steward donors at all levels of giving.
• Ensure prudent fiscal management of WWB, including establishment of salaries, management of expenses, strategic financial planning, and preparation of quarterly financial reports and annual budgets.
• Create Annual Report
• Work with independent auditor in the preparation of annual statements and 990
Supervision of Staff and Volunteers:
• Direct a virtual office of 2 full-time and 1 part-time employees, as well as volunteers, to execute WWB’s mission.
• Encourage professional development and continuing education of the staff.
• Provide regular feedback and advice to the staff, including annual performance reviews.
• Oversee all programming, including Words without Borders, print and eBook anthologies, and education programming.
• Report to the WWB board of directors on programming, fundraising, finances, events, publications, personnel, strategic planning, and other matters.
• Coordinate full-board and committee meetings and ensure that members are provided with regular financial and programatic updates.
• Schedule and attend quarterly meetings of all board committees.
• Work with the WWB board to develop and implement a strategic plan and fundraising plan for the organization.
• Articulate Words without Borders mission to funders, volunteers, the educational community, and the media.
• Guide all external relations and collaborations, including website, publications, annual fundraising appeals, and public relations.
• 3-5 years in nonprofit management and fundraising, with a background in the literary arts or literary arts education
• Grant-writing experience with a proven track record
• Experience planning and managing events
• Experience using Quickbooks or similar accounting software and knowledge of standard accounting practices
• An understanding of online publishing/media, including interpreting analytics, with experience in building audiences and conducting outreach via social media.
• Knowledge of Salesforce or similar CRM programs, HTML, and Photoshop a plus
Compensation package includes medical, dental, and eye, including dependents, after one month, and retirement contributions of 10% of salary after 2 years.
Please submit a cover letter and resume to email@example.com.
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .