The Good of Dalkey's Catalog [Spring/Summer 2011 Preview]
Now that the University of Rochester’s mail services is back from break, I’m swimming in a sea of books, catalogs, and mailed in donations from our annual campaign. (Well, OK, maybe not swimming in a sea of donations, but thanks to all of you who did donate. And if you haven’t donated, you can by clicking here.)
One of the more interesting catalogs that arrived over break was the new Spring/Summer 2011 catalog from Dalkey Archive. There are a $%^&load of translations in here, from a number of different languages and countries. With the total number of original translations plummeting in 2010 (more on that later this week when I finally finish updating the Translation Database), I’m sure that Dalkey will be one of the top producers of translated literature.
As alluded to in the earlier post about Hotel Europa, Dalkey has traditionally supported its authors by publishing (and reissuing) several of their works, rather than dumping them if sales for a particular title aren’t all that impressive. This is very admirable, and this catalog features books from a number of “classic” Dalkey authors. (Can’t find these titles on the Dalkey site, otherwise I’d link to them. And all quotes are from the catalog):
- Patrik Ourednik’s The Opportune Moment, 1855, translated from the Czech by Alex Zucker;
- Juan Goytisolo’s Exiled from Almost Everywhere, translated from the Spanish by Peter Bush;
In Exiled from Almost Everywhere, Juan Goytisolo’s perverse mutant protagonist—the Parisian “Monster of Le Sentier”—is blown up by an extremist bomber and finds himself in the cyberspace of the Thereafter with an infinite collection of computer monitors.
- Julian Rios’s Procession of Shadows, translated from the Spanish by Nick Caistor;
- Luisa Valenzuela’s Dark Desires and the Others, translated from the Spanish by Susan E. Clark;
Dark Desires is the author’s autobiographical fantasia on the ten years she spent living in New York City. Valenzuela has called this book her “apocryphal autobiography,” and in it she says very little about her work as a writer, about the city itself, or even about literature.
- Viktor Shklovsky, Bowstring: On the Dissimilarity of the Similar, translated from the Russian by Shushan Avagyan;
- Jacques Jouet’s Upstaged, translated from the French by Leland de la Durantaye;
- Claude Ollier’s Wert and the Life without End, translated from the French by Ursula Meany Scott;
- Goncalo M. Tavares’s Learning to Pray in the Age of Technology, translated from the Portuguese by Daniel Hahn
In a city not quite of any particular era, a distant and calculating man named Lenz Buchmann works as a surgeon, treating his patients as little more than equations to be solved: life and death no more than results to be worked through without the least compassion.
There are also a number of interesting sounding “new voices”:
- Jean Rolin’s The Explosion of the Radiator Hose, translated from the French by Louise Rogers Lalaurie;
- Edouard Leve’s Suicide, translated from the French by Jan Steyn;
- Abdelwahab Meddeb’s Talismano, translated from the French by Jane Kuntz;
Talismano is a novelistic exploration of writing seen as a hallucinatory journey through half-remembered, half-imagined cities—in particularly, the city of Tunis, both as it is now, and as it once was.
- Asaf Schurr’s Motti, translated from the Hebrew by Todd Hasak-Lowy;
An unassuming, unambitious man named Motti, who owns a dog named Laika, has a good friend named Menachem. Motti and Menachem drink beer together every week, and Motti spends the rest of his time daydreaming an imaginary love story for himself and his neighbor, Ariella. Motti is the very picture of inertia, until, one night, a drunk Menachem, driving home from a bar with Motti, runs over a woman and kills her.
They’re also doing a couple Japanese Literature Publishing Project titles (Plainsong by Kazushi Hosaka and The Shadow of a Blue Cat by Naoyuki Li), and, what may the be the most exciting announcement, they’re brining out Mark Polizzotti’s new translation of Raymond Roussel’s Impressions of Africa.
I’m sure we’ll end up covering a number of these on the site, and as I peruse more catalogs, I’ll post other “Spring/Summer 2011 Preview” posts . . .