Latest Review: "Pierre Reverdy" by Pierre Reverdy
The latest addition to our Reviews Section is by Catherine Partin on Pierre Reverdy’s Pierre Reverdy, a collection of the poet’s works translated by various authors, edited by Mary Ann Caws, and out from New York Review Books.
Catherine is an avid reader with interests in French and Francophone literature, modernism, and critical theory, and is soon to graduate with an MA in Culture and Difference from Durham University. Here’s the beginning of her review:
To read a poem by Pierre Reverdy is to enter a world of dreamlike contradictions, surreal metaphors, and jarring juxtapositions. Marked by recurring themes of consciousness, time, distance, and memory, Reverdy’s work inhabits an otherworldly realm. As when viewing a cubist painting, it’s hard to maintain a sense of orientation—follow along a line toward its expected end and, surprise! the work takes an unexpected turn. In Pierre Reverdy, the New York Review Books presents an exemplary collection of Reverdy’s poems in new English translations. Translated by an impressive roster of respected Anglophone poets, among them Frank O’Hara, John Ashbery, Kenneth Rexroth, and a dozen others, the works selected here are nevertheless unified by Reverdy’s distinct poetic voice and a propensity for jarring juxtaposition, creating dreamlike imagery painted with lucidity and yet tinged with the surreal.
Known for his associations with such figures as Guillaume Apollinaire, Tristan Tzara, and Andre Breton, Reverdy’s close ties to these and other founding members of the early twentieth-century avant-garde are not to be underestimated. Their influences upon Reverdy’s work, most notably manifest in his surreal imagery and unconventional form, are perhaps best illustrated by the book’s opening selection from Prose Poems. These works, square chunks of text consisting of syntactically normal sentences that nevertheless retain a semantic opacity and make for difficult, if not intriguing reading, doubtless contributing to Reverdy’s reputation as the quintessential cubist poet.
For the rest of the review, go here.