Barbara Epler gave me a copy of the new New Directions catalog at the 2666 party on Friday, and it’s so amazing that it deserves its own post.
There are a ton of translations coming out from ND next year—well, OK, nine—a good mix of classic authors (Walser, Borges, Bolano) and some new (like Guillermo Rosales). Here are some of the highlights:
The Tanners by Robert Walser (trans. by Susan Bernofsky) is coming out in May and features an introduction by W. G. Sebald (trans. by Jo Catling). Walser’s first novel, I heard Susan B. read a section of this at the PEN World Voices event last spring. It was a great reading (and great event), and made me excited to read The Tanners. The part she read wasn’t as wildly off-kilter as some of the other pieces, but it reminded me of The Assistant.
I think this is the season of Susan Bernofsky (and why not?) . . . Ini addition to the Walser, she translated The Naked Eye by Yoko Tawada, her first novel to be translated into English. (ND published a few story collections, and Kodansha brought out a few novellas.) (May)
Guillermo Rosales’s The Halfway House (trans. by Anna Kushner) sounds really intriguing. It’s about an exiled Cuban writer trapped in a halfway house after arriving in Miami in a very disturbed state. Rosales destroyed most of his work before committing suicide, but this novel survived and was published posthumously. (May)
Declan Spring is editing Inger Christensen’s novel Azorno (trans. by Denise Newman) and told me that it is as good as anything he’s worked on in the past few years. He mentioned Beckett, he mentioned Borges, and based on the description, this is the book that I’m personally most exited about from the new catalog. “Set in modern Europe, Azorno is a kind of logic puzzle or house of mirrors, concerning five women and two men. . . . Reminiscent of the works of Georges Perec and Alain Robbe-Grillet . . .” (July)
Also coming out in July is Seven Nights by Borges (tran. by Eliot Weinberger), a collection of seven lectures given by Borges in the summer of 1977.
Berberova’s Billancourt Tales (trans. by Marian Schwartz; July) and Yoel Hoffmann’s Curriculum Vitae (trans. by Peter Cole; July), both sound fascinating as well. As does the next Bolano title, The Skating Rink. Told by three male narrators, “The Skating Rink is not fundamentally a crime novel, or not exclusively: it’s also about political corruption, sex, the experience of immigration, and frustrated passion.” Translated by Chris Andrews, it’s due out in August. Which should be about the time that most everyone is finishing 2666 and looking for more Bolano . . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in _Morse, My Deaf Friend_— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .