8 August 07 | Chad W. Post

This story has been around for months, but the International Herald Tribune has a piece on the troubles Catalonia is having getting writers to attend the Frankfurt Book Fair this year, where Catalonia is the Guest of Honor.

This is one of the rare times that the FBF chose to honor a region rather than a country, and initially, the Ramon Llull Institute was only going to invite authors writing in Catalan to attend. Spain’s literary world freaked out, Catalan backtracked, and ended up inviting Spanish authors as well.

But many are refusing to go, calling the gesture an insulting afterthought prompted by political interference and serving up a nasty dispute for the normally genteel confines of the world’s largest book fair.

I have no place commenting on Spanish/Catalonian art and politics (and politics of art), but this really isn’t doing much to help promote Catalan or Spanish literature. Catalonia has a great tradition of authors writing in Catalan, very, very few of whom have been translated into English. (Merce Rodoreda, a bastardized version of Albert Sanchez Pinol’s Cold Skin, and now Quim Monzo, are the ones that come immediately to mind.) In my opinion, following years of oppression, the Ramon Llull Institute deserves an opportunity to promote the writers it exists to support and to spread the word about a “Catalan asethetic.”

On the other hand, it doesn’t make much sense for both the Catalan and Spanish governing bodies to marginalize writers living in Catalonia and writing primarily in Spanish.

Maybe it would’ve been best to have Catalonia, Galicia, the Basque Country, and Spanish-speaking Spain all be Guests of Honor and to celebrate the whole of literature from Spain at once. But really, we can’t have Frankfurt without some controversy . . . that’s what publishing people thrive on.


Comments are disabled for this article.
....
Faces in the Crowd
Faces in the Crowd by Valeria Luiselli
Reviewed by Valerie Miles

At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .

Read More >

Fantomas Versus the Multinational Vampires: An Attainable Utopia
Fantomas Versus the Multinational Vampires: An Attainable Utopia by Julio Cortázar
Reviewed by Cameron Rowe

Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .

Read More >

Self-Portrait in Green
Self-Portrait in Green by Marie NDiaye
Reviewed by Lori Feathers

Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .

Read More >

The Madmen of Benghazi
The Madmen of Benghazi by Gerard de Villiers
Reviewed by P. T. Smith

Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .

Read More >

The Four Corners of Palermo
The Four Corners of Palermo by Giuseppe Di Piazza
Reviewed by Patience Haggin

The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .

Read More >

Writers
Writers by Antoine Volodine
Reviewed by P. T. Smith

Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .

Read More >

My Brilliant Friend
My Brilliant Friend by Elena Ferrante
Reviewed by Acacia O'Connor

It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .

Read More >

Stealth
Stealth by Sonallah Ibrahim
Reviewed by Christopher Iacono

From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .

Read More >

Miruna, a Tale
Miruna, a Tale by Bogdan Suceavă
Reviewed by Alta Ifland

Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .

Read More >

Kamal Jann
Kamal Jann by Dominique Eddé
Reviewed by Lori Feathers

Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >