The latest addition to our Reviews Section is a piece by contributing reviewer Larissa Kyzer on Jacques Poulin’s Mister Blue, which just came out from Archipelago Books in Sheila Fischman’s translation.
Larissa Kyzer is a regular reviewer for us who has a great interest in all things Scandinavian and Icelandic. Mister Blue doesn’t quite fit that, but it does sound like a really fun book:
The fictional world of Québécois novelist Jacques Poulin can, poetically speaking, be likened to a snow globe: a minutely-detailed landscape peppered with characters who appear to be frozen in one lovely, continuous moment. Mister Blue, recently published in a new English translation, captures this timelessness in a fluid and deceptively simple story about the complex bonds that can develop between completely unlike people, if only they are allowed to.
Brooklyn’s Archipelago Books has previously released two Poulin novels—Spring Tides and Translation is a Love Affair—both of which share some basic fundamentals with Mister Blue. Each of these slender novels feature reclusive literary types (authors and translators), their beloved cats (all with names worthy of T.S. Eliot’s Practical Cats: Matousalem, Mr. Blue, Charade, Vitamin), and enigmatic strangers who quickly insinuate themselves into the lives and imaginations of the aforementioned writers. But although Poulin frequently returns to the same themes, the same hyper-specific scenarios and characters in his work, each of his novels retain a freshness and idiosyncratic sweetness that reward readers with small revelations and happy coincidences.
Click here to read the entire piece.
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
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The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .