20 August 12 | Chad W. Post

Sales rep superstar and international literature enthusiast George Carroll just posted a “destination guide” at NW Book Lovers that highlights a number of great presses, organizations, and books worth checking out.

Many of these—like Three Percent, New Directions, the Center for the Art of Translation—you’re probably already familiar with, but it’s always fun to see someone else talking about your books and/or the reasons for reading international literature in the first place.

There’s an opinion in publishing that literature in translation doesn’t sell— that the books are dense and unapproachable, and that Americans won’t read authors whose names we can’t pronounce. Norman Manea (The Lair, Yale Margellos) says books in translation are thought to be “too ‘complicated,’ which is another way of saying that literature should deal with simple issues in a simple way.”

Haruki Murakami once said, “If you only read the books that everyone else is reading, you can only think what everyone else is thinking.” If that’s true, people who read international literature are true iconoclasts. Only about three percent of all books published in the United States are works in translation. In terms of literary fiction and poetry, that number drops below one percent. And mainstream reviewers ignore most of the books that make it through the translation process into print.

I also want to point out that his three recommendations—Satantango by Laszlo Krashnahorkai, Maidenhair by Mikhail Shishkin, and Almost Never by Daniel Sada—are three of my favorite books from 2012 . . .


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Class
Class by Francesco Pacifico
Reviewed by Vincent Francone

The thing about Class is that I don’t know what the hell to think about it, yet I can’t stop thinking about it. I’ll begin by dispensing with the usual info that one may want to know when considering adding. . .

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The Dispossessed
The Dispossessed by Szilárd Borbély
Reviewed by Jason Newport

To be, or not to be?

Hamlet’s enduring question is one that Szilárd Borbély, acclaimed Hungarian poet, verse-playwright, librettist, essayist, literary critic, short-story writer, and, finally, novelist, answered sadly in the negative, through his suicide in 2014, at the. . .

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A Greater Music
A Greater Music by Bae Suah
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A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

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Reviewed by Tim Lebeau

The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .

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Reviewed by Jason Newport

In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .

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The Hatred of Music
The Hatred of Music by Pascal Quignard
Reviewed by Jeanne Bonner

Pascal Quignard’s __The Hatred of Music_ is the densest, most arcane, most complex book I’ve read in ages. It’s also a book that covers a topic so basic, so universal—almost primordial—that just about any reader will be perversely thrilled by. . .

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Fragile Travelers
Fragile Travelers by Jovanka Živanović
Reviewed by Damian Kelleher

In Gustave Flaubert’s Madame Bovary, Flaubert attempted to highlight the ordinary, tired, and often crass nature of common expressions by italicising them within the text. When Charles, Emma Bovary’s mediocre husband, expresses himself in a manner akin to that of. . .

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Nineteen Ways of Looking at Wang Wei
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Reviewed by Russell Guilbault

Eliot Weinberger takes big strides across literary history in his genuinely breathtaking short work, 19 Ways of Looking at Wang Wei, tracking translations of a short ancient Chinese poem from the publication of Ezra Pound’s Cathay in 1915 to Gary. . .

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Radio: Wireless Poem in Thirteen Messages
Radio: Wireless Poem in Thirteen Messages by Kyn Taniya
Reviewed by Vincent Francone

Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .

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The Subsidiary
The Subsidiary by Matías Celedón
Reviewed by Vincent Francone

The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .

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