I’ve mentioned this a few times on our recent podcasts, but here’s the official press release from BookExpo America about next year’s Global Market Focus on translation:
Books in Translation: Wanderlust for the Written Word
BookExpo America has announced a new development for its 2014 Global Market Forum (GMF) program that is uniquely exciting by bringing a dedicated focus to books in translation. Leading US and international professionals that specialize in bringing the written word across languages will gather for a world summit on translation on Wednesday May 28th 2014, at the Jacob K. Javits Convention Center in New York City, and in the following days at and around the book industry’s largest gathering in North America which will take place Wednesday, May 28th – Saturday, May 31st 2014.
BEA welcomes a host of prestigious partners that will develop the professional and cultural programs that make up the 2014 Global Market Forum: Books in Translation presented at BEA as well as various venues and institutions in the New York City area during BEA. These include the Literary Translation at Columbia Writing Program, PEN World Voices, Open Letter Books at the University of Rochester, the Association of Author Representatives (AAR), American Literary Translators Association, Center for the Art of Translation in San Francisco as well as representatives of international markets promoting their countries’ literature in the US.
Books throughout history have been the vehicle for ideas and stories that transcend geography and cultures, reaching audiences far beyond a native land or language. Globalization and digitization bring new forces that are re-inventing the book trade and extending the possibilities for translations.
BEA is leading a collaborative effort from a variety of innovative organizations and experts in the sector to explore how these new opportunities can be turned into new business for authors, agents, publishers and translators.
Topics will include lessons learned from the recent success stories of translated authors, like the Swedish writer Stieg Larsson; explore how translated works can transcend from niche audiences to a large readership; debate best practices for making translations work – from English, as well as into English, and the help proposed from attractive funding programs. Marketing translations can now benefit from self-publishing to social media, by effectively managing interested target audiences, thereby facilitating the way to market for translated books.
“This is a logical evolution for BEA as international participation has outpaced every other segment at BEA aside from digital” says show organizer Steven Rosato. “While this is different for the GMF program, which typically focuses on a single country or region, providing a platform for books in translation is part of the long term future of BEA and will support future GMF programs and create more business opportunities for all BEA participants.”
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .