The other day, Academica Rossica announced the longlist for its 2014 Translation Prize, and, thankfully, Mikhail Shishkin’s Maidenhair made it!
Not to diminish the value of this longlist, but, to be honest, I would’ve been pissed if it hadn’t have made it, given the fact that there are forty-five books listed on this. I mean, that’s still a few hundred books short of the IMPAC Prize longlist (which is the very definition of absurd), but I was surprised to find out that there were forty-five eligible Russian translations.
That said, these are forty-five really interesting books, including works by Daniil Kharms, Mikhail Bulgakov, Andrei Gelasimov, Oleg Zalonchovsky, German Sadulaev, Viktor Shklovsky, Andrey Kurkov, Anna Starobinets, Vasily Grossman, Andrey Platonov, Victo Martinovich, Mikhail Shishkin, Vladimir Nabokov, Marina Tsvetaeva, and many other.
(Given the breath of this list, it would be really cool if there was a downloadable anthology with 5-10 pages from each. That would be an excellent way to introduce people to a wide range of Russian writing.)
Also, a lot of great Russian translators are on here—frequently with more than one book. Marian Schwartz, Andrew Bromfield, Carol Apollonio, Shushan Avagyan, Arch Tait, Amanda Love Darragh, Robert and Elizabeth Chandler, Jamey Gambrell, and many, many others.
The shortlist will be announced on February 25th and the winners on March 19th. In the meantime, check out the full list of titles and place your bets.
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .
Though far from the most convincing reason to read literature in translation, one common side effect is learning of another culture, of its history. Within that, and a stronger motivation to read, is the discovery of stories not possible within. . .