Three Percent was named after the oft-cited statistic (first established by Bowker) that only 3% of books published in the U.S. are translations. We suspected that 3% number was a little high, but we had no way of confirming our suspicions--there were no real records of the number of translations published from year to year.

So, we decided to keep track ourselves. By collecting as many catalogs as we can and asking publishers directly, we've managed to come up with a fairly accurate record of the books published in translation since January 1st, 2008. For the sake of our sanity, we’ve limited our data gathering to original translations of fiction and poetry published or distributed here in the United States. By "original," we're referring to titles that have never before appeared in English (at least not in the States). So new translations of classic titles aren't included in our database, and neither are reprints of previously published books. Our focus is on identifying how many new books and new voices, are being made available to English-speaking readers.

If you'd like to see the list for yourself, you can download one of the spreadsheets below. In addition to a straight list of translated titles, these spreadsheets break this information down into publisher, language, country of origin, and publisher.

If you're a translator, author, librarian, publishers, or reader, and know of a title that's missing from the list, please e-mail Chad W. Post (chad.post at rochester dot edu) with the necessary information.

To download the 2008 Translation Database, click here.

Last Update: 1 September 09

To download the 2009 Translation Database, click here.

Last Update: 1 September 09
Ni chicha, ni limonada
Ni chicha, ni limonada by David Unger
Reviewed by Rhea Lyons

The innovative works of legends like Borges and Cortázar not only defined a literary movement, they created an exotic and well-known image of Latin America and its people. A key element of works in the tradition of the magical realism. . .

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The Housekeeper and the Professor
The Housekeeper and the Professor by Yoko Ogawa
Reviewed by Will Eells

Contemporary Japanese literature is all too easy to stereotype. As far as the American reading public goes, the only books that come out of Japan seem to be under one of three genres. The first is the “bizarre things happening. . .

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The Wall in My Head
The Wall in My Head by Words Without Borders (eds.)
Reviewed by Jessica LeTourneur

I was born in the final decade of communism’s flailing grasp on the Eastern Bloc, and so what I know of the fall of the Berlin Wall and the collapse of communism has long been relegated to what I learned. . .

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Rhyming Life & Death
Rhyming Life & Death by Amos Oz
Reviewed by Dan Vitale

The short novel is a form in which writers typically exercise great control over their material, accepting the abbreviated length as a kind of challenge, working within that limitation to craft a tight, jewel-like story in which all the elements. . .

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The Tanners
The Tanners by Robert Walser
Reviewed by Monica Carter

In the most recent translation of Swiss writer Robert Walser’s work, The Tanners, we are reminded once again why Kafka and Musil were fans—his wit. And like everything in Walser’s writing, it is nuanced and subtle. Instead giving us. . .

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Dream of Reason
Dream of Reason by Rosa Chacel
Reviewed by Grant Barber

Rosa Chacel (1898-1994) sculptor, novelist, poet, essayist, feminist was born and died in Spain, with Brazil as a second home. She was a contemporary with the Generation of ’27, which included Garcia Lorca and Ramon Jaminez, and she was familiar. . .

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Hoppla! 1 2 3
Hoppla! 1 2 3 by Gérard Gavarry
Reviewed by Timothy Nassau

As frequently occurs, a few days ago I was browsing through a bookstore when something caught my eye. The book was Negative Horizon by Paul Virilio, which “sets out [his] theory of dromoscopy: a means of apprehending speed and its. . .

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