5 December 12 | Chad W. Post | Comments

First off, I want to point out that our new GoodReads Giveaway is now live. Between now and December 15th, you can enter to win one of fifteen copies of 18% Gray by Zachary Karabashliev that we’re going to be giving away. By now, you probably know the drill, but if you’re a GoodReads member (and if not, why not?) just click on the button below. [Note: This giveaway is for U.S. GoodReads members only. Sorry.]

That said, since !8% Gray makes such a great gift for the holidays—especially for people interested in road novels or Bulgaria, as well as your easily confused friend/relative who is way into all the “Gray” titles involving a bit of the sex—and since we already have our copies back from the printer, we’ll ship these books out ASAP to anyone who orders from us directly.

18% Gray was co-winner of the Contemporary Bulgarian Writers award, and was chosen by Bulgarian readers as one of the top 100 “most loved books” as part of the BBC’s The Big Read. It’s funny, touching, sexy, and is currently being made into a movie. At it’s core, it’s a really moving road novel about loss that also involves a huge bag of marijuana.

Goodreads Book Giveaway

18% Gray by Zachary Karabashliev

18% Gray

by Zachary Karabashliev

Giveaway ends December 15, 2012.

See the giveaway details at Goodreads.

Enter to win


On a separate GoodReads note, the 2012 GoodReads Choice Awards were announced today.

Now, as much as I love GoodReads, and as much as I love the idea of polling actual readers about the books they love, it has to be pointed out that the downfall of crowdsourcing an award is that you end up with J. K. Rowling’s The Casual Vacancy winning the fiction award.

Dinner by César Aira
Reviewed by Lori Feathers

César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .

Read More >

We're Not Here to Disappear
We're Not Here to Disappear by Olivia Rosenthal
Reviewed by Megan C. Ferguson

Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .

Read More >

The Queen's Caprice
The Queen's Caprice by Jean Echenoz
Reviewed by Christopher Iacono

Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .

Read More >

French Concession
French Concession by Xiao Bai
Reviewed by Emily Goedde

Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .

Read More >

Anna Karenina
Anna Karenina by Leo Tolstoy
Reviewed by Christopher Iacono

For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .

Read More >

The Cold Song
The Cold Song by Linn Ullmann
Reviewed by David Richardson

Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .

Read More >

This Life
This Life by Karel Schoeman
Reviewed by P. T. Smith

Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .

Read More >