30 July 14 | Chad W. Post | Comments

In a few weeks, we’ll be releasing A Thousand Forests in One Acorn, one of the most impressive—and beautiful—books that we’ve ever published. It’s a 715-page beast that was put together by Valerie Miles (one of the people behind Granta’s “Best of Young Spanish-language Novelists” special issue) featuring twenty-eight Spanish-language authors, from Aurora Venturini (born 1922) to Evelio Rosero (born 1958). Of these authors, about half have been translated into English (Javier Marias, Carlos Fuentes, Enrique Vila-Matas, etc.), and the other half are making their way into English for the first time ever—like Elvio Gandolfo.

But before getting into Gandolfo, there are a couple more things to say about this book, which isn’t your typical anthology. For this collection, each author selected the piece to be included on the basis that it’s the “aesthetic high point” of their writing career. Then, they answered a number of questions about this piece and their writing life, explaining their influences, what they were trying to do in the included excerpt, etc. All of this is prefaced by insightful short biographies (written by Valerie Miles) and capped off by a bibliography of the author’s works in Spanish and in English . . . In other words: This is a damn amazing, useful, impressive book.1

Ninth Letter, a “collaborative arts and literary project produced by the Graduate Creative Writing Program and School of Art & Design at the University of Illinois, Urbana-Champaign,” and one of the most beautiful lit mags out there, decided to run one of the pieces from A Thousand Forests in One Acorn, “The Moment of Impact” by Elvio Gandolfo, a story about a whale falling on a city.

You can read the entire story here, but to entice you, here’s a bit of what Gandolfo had to say about it:

I tried to make something impossible, at least in terms of the physical laws and limits we are bound by at this moment in science and history, plausible. In that sense, the story satisfies me fully. Besides, it seems to be written for nobody . . . At another time, I might have come up with a single short sentence (“a whale falls on a city”) and I wouldn’t have even written it down. When I did, however, I filled in all the details composing that precise moment and “the space of the impact.” The businesses, the streets, names of the residents of 1043 on Peatonal Córdoba (taken from the name plates on the building’s intercom) are (or were) real. When you use actual landmarks you discover the limits of what is really real for the people living in that place.

This is one of the outstanding voices that I discovered in working on this book, and I’m willing to bet that almost all Three Percent readers will love this piece. So go to Ninth Letter now and read it. And then preorder the book—it’s worth the $19.95 just for the production quality.

1 Over the month of September, we’ll be doing a special Three Percent promotion for this, running an excerpt from an interview or a piece of fiction every day. More on that in the near future.

....
Morse, My Deaf Friend
Morse, My Deaf Friend by Miloš Djurdjević
Reviewed by Vincent Francone

There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in _Morse, My Deaf Friend_— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .

Read More >

The Crimson Thread of Abandon
The Crimson Thread of Abandon by Terayama Shūji
Reviewed by Robert Anthony Siegel

The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .

Read More >

Life Embitters
Life Embitters by Josep Pla
Reviewed by Christopher Iacono

Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .

Read More >

The Physics of Sorrow
The Physics of Sorrow by Georgi Gospodinov
Reviewed by Izidora Angel

“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .

Read More >

Vano and Niko
Vano and Niko by Erlom Akhvlediani
Reviewed by Vincent Francone

What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .

Read More >

The Indian
The Indian by Jón Gnarr
Reviewed by P. T. Smith

The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .

Read More >

Mother of 1084; Old Women; Breast Stories
Mother of 1084; Old Women; Breast Stories by Mahasweta Devi
Reviewed by Christopher Iacono

Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .

Read More >