10 August 10 | Chad W. Post | Comments [1]

As many other bloggers have mentioned over the past week, Google recently came out with an announcement that there are 129, 864, 880 books in the world. This post explains how Google got to that number (very interesting), defines what a “book” is (”‘tome,’ an idealized bound volume”), and references a silly April Fools joke (adding a turkey probe to a library’s catalog).

Another big announcement from recent weeks was Jeff Bezos’s statement that Amazon.com is now selling more ebooks than hardcovers prompting (once again) the endless string of “OMG print books are almost dead!” articles. This one by Malcolm Jones fits the “I’ll miss physical books” category of reactionary pieces, but still implies that the days of hardcovers and paperbacks are numbered.

Which, taken to the extreme, brings up an interesting idea—what are we going to do with these millions of books (and billions of copies) once we fully convert to an e-world?

One idea comes from Matej Kren’s art installation “Scanner”—currently on display at the Museum of Modern Art in Bologna, and which looks a little something like this:

This week’s Consumed by Rob Walker (whose Buying In is an all-time favorite book of mine) is all about books as art:

For starters, books have served as useful raw material for conversion into an impressive variety of artworks. Jacqueline Rush Lee has created a body of work that turns books into organic-looking shapes — sometimes pages are rolled, sometimes they seem to grow from their open covers, sometimes they’re squashed into wholly different forms. Su Blackwell’s intricate cutouts rise from old books like impossible pop-ups; Stephen Doyle has made tanks and staircases from paper pages, resting on open books that serve as pedestals. Guy Laramée and Brian Dettmer have each created compelling three-dimensional objects by carving or otherwise restructuring books; Robert The has cut books into gun shapes. Thomas Allen has made vivid images of figures rising from lurid pulp paperbacks. Photographers like Paul Octavious, Victor Shrager and Abelardo Morell, among others, have made pictures that linger over book details, or rearrange book groups, in memorable ways.

(Although honestly, the coolest, almost meta, bit of this article is the final paragraph about Busted Typewriter, which hollows out books—including Buying In—to serve as Kindle cases, giving you the feel of a “real” book to go with the convenience of e.)

All of this brings to mind Julio Cortazar’s short story “End of the World of the End,” which opens with a sort of vision of the electronic, self-publishing world:

As the scribes will persist, the few readers there are in the world are going to have to change their roles and become scribes themselves. More and more countries will be made up of scribes, and more and more factories will be necessary to manufacture paper and ink, the scribes by day and the machines by night to print the scribes’ work. First the libraries will overflow the houses, then the municipalities decide (now we’re really into in) to sacrifice their children’s playgrounds to enlarge the libraries. Then the theaters will go, then the maternity homes, slaughterhouses, bars, hospitals. The poor use the books like bricks, they stick them together with cement and build walls of books and live in cabins of books.

This isn’t enough to stem the flow of books, so a new idea is proposed:

The President of the Republic gets on the telephone with the presidents of the republics, and intelligently proposes to cast the leftover books into the sea, which act is accomplished simultaneously on every coast in the world. Thus the Siberian scribes see their works cast into a sea of ice and the Indonesian scribes etc. This allows the scribes to step up their production as the earth again has space to store their books. It does not occur to them that the sea has a bottom and that at the bottom of the sea the printed matter is beginning to pile up, first in the form of a sticky pulp, then in the form of a solid pulp, and finally a tough though viscous flooring which rises several feet a day and will finally reach the surface. Then much of the water invades many of the lands and there is a new distribution of continents and oceans, and presidents of various republics are replaced by lakes and peninsulas, presidents of other republics see immense territories newly open to their ambitions, etc.

As time goes on, this landmass of pulp becomes home to nightclubs and casinos, causing the scribes to store all their books on land once again. The ink and paper companies go bankrupt, the scribes write on “slabs of wood or rock or on stone tiles, etc.”

On the earth the race of scribes lives precariously, doomed to extinction, and at sea there are the islands and casinos, or rather the ex-transatlantic liners, where the presidents of the republics have fled to refuge and where they hold enormous parties and exchange wireless messages from island to island, president to president, and captain to captain.

And there you go.

26 November 07 | lindsay_powell | Comments

UNAM (La Universidad Nacional Autónoma de México) has reached an
agreement with Google to digitalize all of their publications from
1950 through 2007. The deal was signed this past June and as of late September, Google has uploaded the first group of books, consisting of 718 titles.

Google will scan groups of UNAMs publications every three or four months and should end up with seven to eight thousand books in total.

With this agreement, UNAM joins The University of Oxford and La Universidad Complutense de Madrid, in making their publications available electronically. While some authors give their permission for the entire work to be uploaded, others will only make available the first five to twenty pages.

The digitalization will surely promote UNAM’s books on a international level, while also making them conveniently accessible to their students and staff. Read more about this transition (in Spanish) at UNAM’s site and at El futuro del libro

26 September 07 | Chad W. Post | Comments

I mentioned this a few weeks back, but The Googlization of Everything blog is finally here.

This blog, the result of a collaboration between myself and the Institute for the Future of the Book, is dedicated to exploring the process of writing a critical interpretation of the actions and intentions behind the cultural behemoth that is Google, Inc. The book will answer three key questions: What does the world look like through the lens of Google?; How is Google’s ubiquity affecting the production and dissemination of knowledge?; and how has the corporation altered the rules and practices that govern other companies, institutions, and states?

I’m a bit of a Google-junky, and am really interested to see how this goes. Google really is changing the way we approach the internet (and everything), and it’s impact on books and book culture has been a source of controversy for a while now. Should be an interesting blog/book to follow . . .

14 September 07 | E.J. Van Lanen | Comments

Google has just announced some new features for their book search:

To start, you can create your own personal collection on Book Search, and use it to help find just the right book from your collection for any occasion.

and

We’ve been working on ways to help you dive in and explore interesting ideas and connections in books. Today we’re pleased to announce Popular Passages, a way to follow the literary memes that appear again and again in the world of books.

With the full text of millions of books digitized, we started thinking about how people quote and build on each other’s ideas. Like Bartlett putting together the Familiar, the Google Book Search team has been uncovering a vox populi of passages that authors have deemed worth repeating. Take, for example, Eleanor Roosevelt’s book, You Learn by Living, in which she describes how her experiences helped shape her personal philosophy. On the “About this Book” page, you’ll see it has 10 Popular Passages. One of them, “You gain strength, courage, and confidence by every experience,” appears in over a hundred books in the index. Wow.

(via The Millions)

....
The Antiquarian
The Antiquarian by Gustavo Faverón Patriau
Reviewed by P.T. Smith

Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .

Read More >

Elsewhere
Elsewhere by Eliot Weingerber (ed.)
Reviewed by Grant Barber

What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .

Read More >

The Hen Who Dreamed She Could Fly
The Hen Who Dreamed She Could Fly by Sun-mi Hwang
Reviewed by Chris Iacono

Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .

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Sankya
Sankya by Zakhar Prilepin
Reviewed by Kseniya Melnik

When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .

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Stalin is Dead
Stalin is Dead by Rachel Shihor
Reviewed by Tiffany Nichols

Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .

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Paradises
Paradises by Iosi Havilio
Reviewed by Andrea Reece

Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.

The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .

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Two Crocodiles
Two Crocodiles by Fyodor Dostoevsky; Felisberto Hernández
Reviewed by Sara Shuman

This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .

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