10 August 10 | Chad W. Post | Comments [1]

As many other bloggers have mentioned over the past week, Google recently came out with an announcement that there are 129, 864, 880 books in the world. This post explains how Google got to that number (very interesting), defines what a “book” is (”‘tome,’ an idealized bound volume”), and references a silly April Fools joke (adding a turkey probe to a library’s catalog).

Another big announcement from recent weeks was Jeff Bezos’s statement that Amazon.com is now selling more ebooks than hardcovers prompting (once again) the endless string of “OMG print books are almost dead!” articles. This one by Malcolm Jones fits the “I’ll miss physical books” category of reactionary pieces, but still implies that the days of hardcovers and paperbacks are numbered.

Which, taken to the extreme, brings up an interesting idea—what are we going to do with these millions of books (and billions of copies) once we fully convert to an e-world?

One idea comes from Matej Kren’s art installation “Scanner”—currently on display at the Museum of Modern Art in Bologna, and which looks a little something like this:

This week’s Consumed by Rob Walker (whose Buying In is an all-time favorite book of mine) is all about books as art:

For starters, books have served as useful raw material for conversion into an impressive variety of artworks. Jacqueline Rush Lee has created a body of work that turns books into organic-looking shapes — sometimes pages are rolled, sometimes they seem to grow from their open covers, sometimes they’re squashed into wholly different forms. Su Blackwell’s intricate cutouts rise from old books like impossible pop-ups; Stephen Doyle has made tanks and staircases from paper pages, resting on open books that serve as pedestals. Guy Laramée and Brian Dettmer have each created compelling three-dimensional objects by carving or otherwise restructuring books; Robert The has cut books into gun shapes. Thomas Allen has made vivid images of figures rising from lurid pulp paperbacks. Photographers like Paul Octavious, Victor Shrager and Abelardo Morell, among others, have made pictures that linger over book details, or rearrange book groups, in memorable ways.

(Although honestly, the coolest, almost meta, bit of this article is the final paragraph about Busted Typewriter, which hollows out books—including Buying In—to serve as Kindle cases, giving you the feel of a “real” book to go with the convenience of e.)

All of this brings to mind Julio Cortazar’s short story “End of the World of the End,” which opens with a sort of vision of the electronic, self-publishing world:

As the scribes will persist, the few readers there are in the world are going to have to change their roles and become scribes themselves. More and more countries will be made up of scribes, and more and more factories will be necessary to manufacture paper and ink, the scribes by day and the machines by night to print the scribes’ work. First the libraries will overflow the houses, then the municipalities decide (now we’re really into in) to sacrifice their children’s playgrounds to enlarge the libraries. Then the theaters will go, then the maternity homes, slaughterhouses, bars, hospitals. The poor use the books like bricks, they stick them together with cement and build walls of books and live in cabins of books.

This isn’t enough to stem the flow of books, so a new idea is proposed:

The President of the Republic gets on the telephone with the presidents of the republics, and intelligently proposes to cast the leftover books into the sea, which act is accomplished simultaneously on every coast in the world. Thus the Siberian scribes see their works cast into a sea of ice and the Indonesian scribes etc. This allows the scribes to step up their production as the earth again has space to store their books. It does not occur to them that the sea has a bottom and that at the bottom of the sea the printed matter is beginning to pile up, first in the form of a sticky pulp, then in the form of a solid pulp, and finally a tough though viscous flooring which rises several feet a day and will finally reach the surface. Then much of the water invades many of the lands and there is a new distribution of continents and oceans, and presidents of various republics are replaced by lakes and peninsulas, presidents of other republics see immense territories newly open to their ambitions, etc.

As time goes on, this landmass of pulp becomes home to nightclubs and casinos, causing the scribes to store all their books on land once again. The ink and paper companies go bankrupt, the scribes write on “slabs of wood or rock or on stone tiles, etc.”

On the earth the race of scribes lives precariously, doomed to extinction, and at sea there are the islands and casinos, or rather the ex-transatlantic liners, where the presidents of the republics have fled to refuge and where they hold enormous parties and exchange wireless messages from island to island, president to president, and captain to captain.

And there you go.

26 November 07 | lindsay_powell | Comments

UNAM (La Universidad Nacional Autónoma de México) has reached an
agreement with Google to digitalize all of their publications from
1950 through 2007. The deal was signed this past June and as of late September, Google has uploaded the first group of books, consisting of 718 titles.

Google will scan groups of UNAMs publications every three or four months and should end up with seven to eight thousand books in total.

With this agreement, UNAM joins The University of Oxford and La Universidad Complutense de Madrid, in making their publications available electronically. While some authors give their permission for the entire work to be uploaded, others will only make available the first five to twenty pages.

The digitalization will surely promote UNAM’s books on a international level, while also making them conveniently accessible to their students and staff. Read more about this transition (in Spanish) at UNAM’s site and at El futuro del libro

26 September 07 | Chad W. Post | Comments

I mentioned this a few weeks back, but The Googlization of Everything blog is finally here.

This blog, the result of a collaboration between myself and the Institute for the Future of the Book, is dedicated to exploring the process of writing a critical interpretation of the actions and intentions behind the cultural behemoth that is Google, Inc. The book will answer three key questions: What does the world look like through the lens of Google?; How is Google’s ubiquity affecting the production and dissemination of knowledge?; and how has the corporation altered the rules and practices that govern other companies, institutions, and states?

I’m a bit of a Google-junky, and am really interested to see how this goes. Google really is changing the way we approach the internet (and everything), and it’s impact on books and book culture has been a source of controversy for a while now. Should be an interesting blog/book to follow . . .

14 September 07 | E.J. Van Lanen | Comments

Google has just announced some new features for their book search:

To start, you can create your own personal collection on Book Search, and use it to help find just the right book from your collection for any occasion.

and

We’ve been working on ways to help you dive in and explore interesting ideas and connections in books. Today we’re pleased to announce Popular Passages, a way to follow the literary memes that appear again and again in the world of books.

With the full text of millions of books digitized, we started thinking about how people quote and build on each other’s ideas. Like Bartlett putting together the Familiar, the Google Book Search team has been uncovering a vox populi of passages that authors have deemed worth repeating. Take, for example, Eleanor Roosevelt’s book, You Learn by Living, in which she describes how her experiences helped shape her personal philosophy. On the “About this Book” page, you’ll see it has 10 Popular Passages. One of them, “You gain strength, courage, and confidence by every experience,” appears in over a hundred books in the index. Wow.

(via The Millions)

....
Class
Class by Francesco Pacifico
Reviewed by Vincent Francone

The thing about Class is that I don’t know what the hell to think about it, yet I can’t stop thinking about it. I’ll begin by dispensing with the usual info that one may want to know when considering adding. . .

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The Dispossessed
The Dispossessed by Szilárd Borbély
Reviewed by Jason Newport

To be, or not to be?

Hamlet’s enduring question is one that Szilárd Borbély, acclaimed Hungarian poet, verse-playwright, librettist, essayist, literary critic, short-story writer, and, finally, novelist, answered sadly in the negative, through his suicide in 2014, at the. . .

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A Greater Music
A Greater Music by Bae Suah
Reviewed by Pierce Alquist

A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

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Two Lost Souls: on "Revulsion" and "Cabo De Gata"
Two Lost Souls: on "Revulsion" and "Cabo De Gata" by Horacio Castellanos Moya; Eugen Ruge
Reviewed by Tim Lebeau

The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .

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Melancholy
Melancholy by László Földényi
Reviewed by Jason Newport

In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .

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The Hatred of Music
The Hatred of Music by Pascal Quignard
Reviewed by Jeanne Bonner

Pascal Quignard’s __The Hatred of Music_ is the densest, most arcane, most complex book I’ve read in ages. It’s also a book that covers a topic so basic, so universal—almost primordial—that just about any reader will be perversely thrilled by. . .

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Fragile Travelers
Fragile Travelers by Jovanka Živanović
Reviewed by Damian Kelleher

In Gustave Flaubert’s Madame Bovary, Flaubert attempted to highlight the ordinary, tired, and often crass nature of common expressions by italicising them within the text. When Charles, Emma Bovary’s mediocre husband, expresses himself in a manner akin to that of. . .

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