Details about the Second Annual Young Translators’ Prize (brought to you by Harvill Secker and Foyles) are now available online:
The Harvill Secker Young Translators’ Prize was launched in 2010 as part of Harvill Secker’s centenary celebrations. It is an annual prize, which focuses on a different language each year, with the aim of recognising the achievements of young translators at the start of their careers. For the 2011 prize Harvill Secker has teamed up with Foyles, and the prize is kindly supported by Banipal. This year’s chosen language is Arabic, and the prize will centre on the short story ‘Layl Qouti’ by Mansoura Ez Eldin.
Egyptian novelist and journalist Mansoura Ez Eldin was born in Delta Egypt in 1976. She studied journalism at the Faculty of Media, Cairo University and has since published short stories in various newspapers and magazines: she published her first collection of short stories, Shaken Light, in 2001. This was followed by two novels, Maryam’s Maze in 2004 and Beyond Paradise in 2009. Her work has been translated into a number of languages, including an English translation of Maryam’s Maze by the American University in Cairo (AUC) Press. In 2010, she was selected for the Beirut39, as one of the 39 best Arab authors below the age of 40. Her second novel Wara’a al-Fardoos (Beyond Paradise) was shortlisted for the International Prize for Arabic Fiction (the Arabic Booker) 2010. She was also a participant of the inaugural nadwa (writers’ workshop) held by the International Prize for Arabic Fiction in Abu Dhabi in 2009 and was a mentor at the second nadwa in October 2010.
The winning translator will receive £1,000, a selection of Harvill Secker titles and Foyles tokens.
To enter, you have to be between the ages of 18 and 34 on July 29, 2011. (God damn it, I hate not being eligible for “young” prizes.)
The most recent addition to Eurozine’s “Literary Perspectives” series (an intro to which can be found here) is an essay on contemporary Estonian literature.
Pieces in this series aren’t always that tight or well-structured—although the opening on libraries not loaning or stocking many contemporary Estonian books is pretty fascinating, and I wonder what the borrowing ratio is here between Harry Potter and David Foster Wallace—but they do cover a number of interesting international authors.
I was fortunate enough to visit Estonia a couple of years ago (thanks to the amazing Estonian Literature Information Centre) and meet with a number of publishers, writers, and critics, so a number of the authors featured in Mart Valjataga’s article are familiar to me. And sample translations from most are on the ELIC website.
Tonu Onnepalu is a very interesting Estonian writer, and one of his books—Border State—is available in English from Northwestern University Press.
Other than that, the Estonian books in translation that I’m aware of are Things in the Night by Mati Unt and Jaan Kross’s Czar’s Madman, The Conspiracy, Professor Marten’s Departure, and Treading Air. (Anselm Hollo and Eric Dickens are the translators responsible for all these titles, although Random House UK doesn’t seem to mention translators on their website . . . )
A man’s country may be cramped or vast according to the size of
his heart. I’ve never found my country too small, though that isn’t
to say my heart is great. And if I could choose it’s here. . .
The recent reissuing of several of Stig Dagerman’s novels by University of Minnesota Press has rekindled interest in his works, which have until now been little-known outside Sweden. Just twenty-four when he wrote A Burnt Child (here newly translated by. . .
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .