The most recent issue of The Quarterly Conversation has an excellent article by Javier Moreno on Rodrigo Fresan’s Mantra
Mantra is a novel about a Mexico City that doesn’t exist and about a man called Martín Mantra. Martín Mantra, the cursed boy genius, the son of a soap opera star and a pathetic melodic singer, the only heir of the Mantra Media Empire, the young director of the Mexican “total film” Mondo Mantra, the hypothetical mascot of a group of masked luchadores, the late revolutionary-terrorist leader also known as Capitán Godzilla (a.k.a.) Mantrax. Martín Mantra, the stereotypical citizen of that fictional Mexico D.F. [. . .]
Divided into three clearly delimited parts, Mantra is told, or compiled, by an anonymous narrator/lexicographer who, it turns out, is pretty much dead. We don’t know the circumstances of his death, but we suspect he is not among us anymore. This man is a non-Mexican who, during his early childhood, was introduced by Martín Mantra himself to the Mexican Mantraverse during the projection of a movie the Mexican kid had made. Although Martín Mantra only stayed a few months in the place where he lived, the memory of this exotic child haunted him forever. He could not forget that movie. Then he grew up to be the creator of Guadalajara Smith, a comic book heroine, went to Paris, and, accidentally, met María-Marie, the French cousin of Martín Mantra. María-Marie left him for Mexico, and he went after her. And then he died, so he could start defining things.
Sounds ambitious and fun. Fresan’s Kensington Gardens came out from FSG a couple years back, but doesn’t appear to have made it into paperback . . . KG is partially about Peter Pan, making it potentially more “marketable” than some of his other books, but hopefully more of Fresan’s books will make their way into English. Both Mantra and La Velocidad de las cosas sound fantastic.
And on a coincidental note, the title of Fresan’s first book is Esperanto.
Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
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