Here’s the description from the Grove website:
A beautifully written, insightful, and devastating first novel, Man Gone Down is about a young black father of three in a biracial marriage trying to claim a piece of the American Dream he has bargained on since youth.
On the eve of the unnamed narrator’s thirty-fifth birthday, he finds himself broke, estranged from his white Boston Brahmin wife and three children, and living in the bedroom of a friend’s six-year-old child. He has four days to come up with the money to keep his family afloat, four days to try to make some sense of his life. He’s been getting by working
construction jobs though he’s known on the streets as “the professor,” as he was expected to make something out of his life.
Alternating between his past—as a child in inner-city Boston, he was bussed to the suburbs as part of the doomed attempts at integration in the 1970s—and the present in New York City where he is trying mightily to keep his children in private schools, we learn of his mother’s abuses, his father’s abandonment, raging alcoholism, and the best and worst intentions of a supposedly integrated America.
This is an extraordinary debut. It is a story of the American Dream gone awry, about what it’s like to feel preprogrammed to fail in life—and the urge to escape that sentence.
And from the jury:
“We never know his name. But the African-American protagonist of Michael Thomas’ masterful debut, Man Gone Down, will stay with readers for a long time. He lingers because this extraordinary novel comes to us from a writer of enthralling voice and startling insight. Tuned urgently to the way we live now, the winner of the International Dublin IMPAC Prize 2009 is a novel brilliant in its scope and energy, and deeply moving in its human warmth.”
The IMPAC is one of the richest literary awards in the world—Thomas will receive €100,000—and has brought a good deal of success and attention to recent winners, which include Per Petterson’s Out Stealing Horses, Rawi Hage’s De Niro’s Game, and Colm Tóibín’s The Master.
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .