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The shortlist for this year’s Man Booker Prize was announced earlier today. Looks like a decent enough list, although I’m pretty surprised that the David Mitchell book didn’t make it . . . Anyway, here’s the full list, and I’m sure over the next few days there will be tons of articles and posts analyzing this list. (Seeing that I haven’t read a single one of these books—although I am looking forward to C and the Emma Donoghue book sounds kinda creepy—I don’t really have anything to say . . . )
Peter Carey, Parrot and Olivier in America
Emma Donoghue, Room
Damon Galgut, In a Strange Room
Howard Jacobson, The Finkler Question
Andrea Levy, The Long Song
Tom McCarthy, C
Our own Dubravka Ugresic has made the “Judges’ List of Contenders” for the Man Booker International Prize! In case you were curious:
The Man Booker International Prize…highlights one writer’s continued creativity, development and overall contribution to fiction on the world stage.
This will be the third time they’ve given the prize—Chinua Achebe won in 2007 and Ismail Kadaré in 2005. They give the winner £60,000 and also, if necessary, they give a translation prize of £15,000—I presume to translate the books that haven’t yet been translated, since the prize is for English writing or “work [that] is generally available in translation in the English language”. Here’s the entire Judges’ list:
- Peter Carey (Australia)
- Evan S. Connell (USA)
- Mahasweta Devi (India)
- E.L. Doctorow (USA)
- James Kelman (UK)
- Mario Vargas Llosa (Peru)
- Arnošt Lustig (Czechoslovakia)
- Alice Munro (Canada)
- V.S. Naipaul (Trinidad/India)
- Joyce Carol Oates (USA)
- Antonio Tabucchi (Italy)
- Ngugi Wa Thiong’O (Kenya)
- Dubravka Ugresic (Croatia)
- Ludmila Ulitskaya (Russia)
They’ll be announcing the winner sometime in May.
It’s some awfully stiff competition, but we think Dubravka can pull it off. Plus, she’s due to win one of these times.
Reviewed by Sarah Booker
Yuri Herrera is overwhelming in the way that he sucks readers into his worlds, transporting them to a borderland that is at once mythical in its construction and powerfully recognizable as a reflection of its modern-day counterpart. Kingdom Cons, originally. . .
Reviewed by Tiffany Nichols
Imagine reading a work that suddenly and very accurately calls out you, the reader, for not providing your full attention to the act of reading. Imagine how embarrassing it is when you, the reader, believe that you are engrossed in. . .
Reviewed by Emilee Brecht
Leila Guerriero’s A Simple Story: The Last Malambo chronicles the unique ferocity of a national dance competition in Argentina. The dance, called the malambo, pushes the physical and mental limits of male competitors striving to become champions of not only. . .
Reviewed by Will Eells
Aira continues to surprise and delight in his latest release from New Directions, which collects two novellas: the first, The Little Buddhist Monk, a fairly recent work from 2005, and The Proof, an earlier work from 1989. There are a. . .
Reviewed by Dorian Stuber
The narrator of Peter Stamm’s first novel, Agnes, originally published in 1998 and now available in the U.S. in an able translation by Michael Hofmann, is a young Swiss writer who has come to Chicago to research a book on. . .
Reviewed by Vincent Francone
The thing about Class is that I don’t know what the hell to think about it, yet I can’t stop thinking about it. I’ll begin by dispensing with the usual info that one may want to know when considering adding. . .
Reviewed by Jason Newport
To be, or not to be?
Hamlet’s enduring question is one that Szilárd Borbély, acclaimed Hungarian poet, verse-playwright, librettist, essayist, literary critic, short-story writer, and, finally, novelist, answered sadly in the negative, through his suicide in 2014, at the. . .
