Only four years old, the Premio Sao Paulo de Literatura has already become one of Brazil’s most coveted literary honors. Created by Sao Paulo State’s Secretary of Culture, the prize offers R$200,000 (more than US$127,000) for the categories of best book and debut writer. The Award is the highest cash prize literary award in Brazil. This year 221 novels were submitted to the contest in the hopes of the prize and the shortlists of the winners were announced earlier this month.
Best Book Shortlist
• Azul-corvo by Adriana Lisboa (Rocco)
• Paisagem com dromedário by Carola Saavedra (Companhia das Letras)
• Minha mãe se matou sem dizer adeus by Evandro Affonso Ferreira (Record)
• Do fundo do poço se vê a lua by Joca Reiners Terron (Companhia das Letras)
• Bolero de Ravel by Menalton Braff (Global)
• Chá das cinco com o vampiro by Miguel Sanches Neto (Objetiva)
• Poeira: demônios e maldições by Nelson de Oliveira (Língua Geral)
• Traduzindo Hannah by Ronaldo Wrobel (Record)
• Passageiro do fim do dia by Rubens Figueiredo (Companhia das Letras)
• Os negócios extraordinários de um certo Juca Peralta by Sérgio Mudado (Crisálida)
Best Debut Authors Shortlist
• Os Malaquias by Andréa del Fuego (Língua Geral)
• Perácio – Relato Psicótico by Bráulio Mantovani (LeYa)
• A ilusão da alma: biografia de uma ideia fixa by Eduardo Giannetti (Companhia das Letras)
• Prosa de papagaio by Gabriela Guimarães Gazzinelli (Record)
• Inúteis luas obscenas by Hélio Pólvora (Casarão do Verbo)
• Manhã do Brasil by Luis Alberto Brandão (Scipione)
• Os unicórnios by Marcelo Cid (7 Letras)
• Método prático da guerrilha by Marcelo Ferroni (Companhia das Letras)
• O dom do crime by Marco Lucchesi (Record)
• Lugar by Reni Adriano (Tinta Negra)
The official winners of the contest have not yet been announced.
Find the original website here
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .
Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .
Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .