Only four years old, the Premio Sao Paulo de Literatura has already become one of Brazil’s most coveted literary honors. Created by Sao Paulo State’s Secretary of Culture, the prize offers R$200,000 (more than US$127,000) for the categories of best book and debut writer. The Award is the highest cash prize literary award in Brazil. This year 221 novels were submitted to the contest in the hopes of the prize and the shortlists of the winners were announced earlier this month.
Best Book Shortlist
• Azul-corvo by Adriana Lisboa (Rocco)
• Paisagem com dromedário by Carola Saavedra (Companhia das Letras)
• Minha mãe se matou sem dizer adeus by Evandro Affonso Ferreira (Record)
• Do fundo do poço se vê a lua by Joca Reiners Terron (Companhia das Letras)
• Bolero de Ravel by Menalton Braff (Global)
• Chá das cinco com o vampiro by Miguel Sanches Neto (Objetiva)
• Poeira: demônios e maldições by Nelson de Oliveira (Língua Geral)
• Traduzindo Hannah by Ronaldo Wrobel (Record)
• Passageiro do fim do dia by Rubens Figueiredo (Companhia das Letras)
• Os negócios extraordinários de um certo Juca Peralta by Sérgio Mudado (Crisálida)
Best Debut Authors Shortlist
• Os Malaquias by Andréa del Fuego (Língua Geral)
• Perácio – Relato Psicótico by Bráulio Mantovani (LeYa)
• A ilusão da alma: biografia de uma ideia fixa by Eduardo Giannetti (Companhia das Letras)
• Prosa de papagaio by Gabriela Guimarães Gazzinelli (Record)
• Inúteis luas obscenas by Hélio Pólvora (Casarão do Verbo)
• Manhã do Brasil by Luis Alberto Brandão (Scipione)
• Os unicórnios by Marcelo Cid (7 Letras)
• Método prático da guerrilha by Marcelo Ferroni (Companhia das Letras)
• O dom do crime by Marco Lucchesi (Record)
• Lugar by Reni Adriano (Tinta Negra)
The official winners of the contest have not yet been announced.
Find the original website here
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .