Just a reminder that the New Literature from Europe festival kicks off tonight with an event at McNally Jackson at 7pm.
This year’s festival is called “Haunting the Present,” and here’s a brief intro from the site:
Today’s Europe is a fascinating convergence of old and new, with high speed trains roaring past thousand-year-old towns. The past and present are never far away from each other, and this year’s New Literature from Europe festival explores this proximity by presenting some of the most powerful recent works of fiction by eight of the most important contemporary European authors. In Haunting the Present, the festival’s seventh annual series, the overriding theme is the continued sway of history on contemporary life. Readers will witness the changes over a century in one house in Bucharest and in another house on a lake outside Berlin as its residents flee each successive regime. They will be transported from the mythical Polish village of Primeval to a small, bucolic French town shortly after World War II, and beyond.
In this year’s New Literature from Europe, eight cultural institutes have teamed up to present a series of discussions and readings featuring eight critically acclaimed European writers: Philippe Claudel (France), Kirmen Uribe (Spain), Jenny Erpenbeck (Germany), Gerhard Roth (Austria), Radka Denemarková (Czech Republic), Olga Tokarczuk (Poland), Gabriela Adameşteanu (Romania), and Antonia Arslan (Italy). Moderators will include distinguished writer André Aciman, chair of Comparative Literature and director of the Writers’ Institute at the CUNY Graduate Center and Susan Bernofsky, Guest Professor of Creative Writing and Literary Translation at Queens College (CUNY).
That’s a pretty sweet lineup of authors and translators, and the four events that make up this festival all sound well-crafted and interesting. Here’s a bit of info on all the goings on:
Haunting the Present: A Reading with Eight European Writers
Tuesday, November 16th, 7pm
Translating the Past that Haunts the Present: A Lecture with Jenny Erpenbeck and Philippe Claudel
Wednesday, November 17th, 3-5pm
CUNY Grad Center
Haunting the Present: A Conversation with the Authors
Wednesday, November 17th, 6:30 pm & 7:45 pm
Center for Fiction
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .