I went on this trip a couple of years ago (and wrote about it and the U.S. Embassy back in the early days of Three Percent), and can’t recommend it highly enough. Amazing experience and the best opportunity I know of to really find out about Argentine literature. Not to mention, Gabriela Adamo does a brilliant job organizing this and is an incredible woman. Plus, there’s the tango!
So if you’re fluent in Spanish (or sort of fluent in Spanish), you should definitely apply:
For seven years now, Fundación TyPA has been working to make Argentine literature better known around the world. Seventy professionals from many different countries have already taken part in our programme. They visited Buenos Aires, established first-hand contact with the local publishing world and discovered astounding books they’re now publishing on their own. Today, many Argentine books can be found in bookstores in Paris, Berlin, Rome, London, Sao Paulo, New York, Athens, Zurich, Tel Aviv, Amsterdam…
In 2010, Argentina will both be guest of honor at the Frankfurt Bookfair and celebrate it’s 200 years of Independence with an ongoing stream of cultural events. We are happy to be a part of it and are looking for the most talented and open-minded publishers to invite.
DATE: From Sunday, April 18, to Saturday, April 24.
ORGANIZED BY: Fundación TyPA
WITH THE SUPPORT OF: Fundación El Libro (Buenos Aires Bookfair) and the embassies of Brazil, Israel and Italy, among other institutions.
DESCRIPTION: Ten publishers are invited to spend a week in Buenos Aires, where they will listen to talks about contemporary Argentine literature, meet authors, critics and journalists, visit publishing houses, bookstores and cultural centres. There will also be special meetings as requested by the participants.
The grants offered by TyPA include lodging and food, local transportation and all organizational costs. There is also a limited number of complete grants, which include the air tickets to Argentina.
WHO SHOULD APPLY: Publishers and acquisition editors working with translated fiction. We may also consider a limited number of applications by translators and critics. Candidates should be able to read and understand Spanish in order to profit from the visit, since most events will be held in that language.
HOW TO APPLY: Send a brief CV and a letter explaining why you would like to apply to: gadamo [at] typa.org.ar.
DEADLINE FOR APPLICATIONS: Friday, October 30, 2009.
ANNOUNCEMENT OF PARTICIPANTS: Monday, December 21, 2009
Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .
Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .
For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .
Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .