I went on this trip a couple of years ago (and wrote about it and the U.S. Embassy back in the early days of Three Percent), and can’t recommend it highly enough. Amazing experience and the best opportunity I know of to really find out about Argentine literature. Not to mention, Gabriela Adamo does a brilliant job organizing this and is an incredible woman. Plus, there’s the tango!
So if you’re fluent in Spanish (or sort of fluent in Spanish), you should definitely apply:
For seven years now, Fundación TyPA has been working to make Argentine literature better known around the world. Seventy professionals from many different countries have already taken part in our programme. They visited Buenos Aires, established first-hand contact with the local publishing world and discovered astounding books they’re now publishing on their own. Today, many Argentine books can be found in bookstores in Paris, Berlin, Rome, London, Sao Paulo, New York, Athens, Zurich, Tel Aviv, Amsterdam…
In 2010, Argentina will both be guest of honor at the Frankfurt Bookfair and celebrate it’s 200 years of Independence with an ongoing stream of cultural events. We are happy to be a part of it and are looking for the most talented and open-minded publishers to invite.
DATE: From Sunday, April 18, to Saturday, April 24.
ORGANIZED BY: Fundación TyPA
WITH THE SUPPORT OF: Fundación El Libro (Buenos Aires Bookfair) and the embassies of Brazil, Israel and Italy, among other institutions.
DESCRIPTION: Ten publishers are invited to spend a week in Buenos Aires, where they will listen to talks about contemporary Argentine literature, meet authors, critics and journalists, visit publishing houses, bookstores and cultural centres. There will also be special meetings as requested by the participants.
The grants offered by TyPA include lodging and food, local transportation and all organizational costs. There is also a limited number of complete grants, which include the air tickets to Argentina.
WHO SHOULD APPLY: Publishers and acquisition editors working with translated fiction. We may also consider a limited number of applications by translators and critics. Candidates should be able to read and understand Spanish in order to profit from the visit, since most events will be held in that language.
HOW TO APPLY: Send a brief CV and a letter explaining why you would like to apply to: gadamo [at] typa.org.ar.
DEADLINE FOR APPLICATIONS: Friday, October 30, 2009.
ANNOUNCEMENT OF PARTICIPANTS: Monday, December 21, 2009
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .