This week’s podcast is a special feature on Kaija Straumanis, who recently received her MA in literary translation from the University of Rochester. Although our conversation is a bit rangy (and if you think this is random, you should visit Plüb sometime), we focus mainly on Kaija’s translation of Latvian author Inga Ābele’s Paisums (High Tide).
High Tide is a somewhat fractured novel that tells the story of three main characters: Ieva, a deeply depressed screenwriter; Aksels, her former lover; and Andrejs, her husband, who was imprisoned for murdering Aksels. Structurally, this novel is pretty interesting as well. It opens with a dream, then inhabits the minds of the main characters in a series of “present day” chapters. After we see where these characters are post-jail, post-murder, etc., the book starts counting backwards, with sections about the 1990s, 1980s, 1970s, to fill in certain aspects of the plot and characterization.
To help make this podcast make more sense, I’d highly recommend reading this fairly long sample that covers a lot of the bits that we talk about.
For more information about the University of Rochester’s Translation Programs, just click here.
And in terms of Kaija, in addition to translating from Latvian and German (on occasion), she’s a very good photographer. Oh, and she’s obsessed with Moby-Dick (in a way), which maybe explains the title of this podcast, and the reason why we’re using Yellow Ostrich’s Whale as this week’s intro/outro music.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .