First off, I want to point out that our new GoodReads Giveaway is now live. Between now and December 15th, you can enter to win one of fifteen copies of 18% Gray by Zachary Karabashliev that we’re going to be giving away. By now, you probably know the drill, but if you’re a GoodReads member (and if not, why not?) just click on the button below. [Note: This giveaway is for U.S. GoodReads members only. Sorry.]
That said, since !8% Gray makes such a great gift for the holidays—especially for people interested in road novels or Bulgaria, as well as your easily confused friend/relative who is way into all the “Gray” titles involving a bit of the sex—and since we already have our copies back from the printer, we’ll ship these books out ASAP to anyone who orders from us directly.
18% Gray was co-winner of the Contemporary Bulgarian Writers award, and was chosen by Bulgarian readers as one of the top 100 “most loved books” as part of the BBC’s The Big Read. It’s funny, touching, sexy, and is currently being made into a movie. At it’s core, it’s a really moving road novel about loss that also involves a huge bag of marijuana.
On a separate GoodReads note, the 2012 GoodReads Choice Awards were announced today.
Now, as much as I love GoodReads, and as much as I love the idea of polling actual readers about the books they love, it has to be pointed out that the downfall of crowdsourcing an award is that you end up with J. K. Rowling’s The Casual Vacancy winning the fiction award.
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .