We at Three Percent & Open Letter want to simply say: Thank you.
This will probably be the last message we’ll post about our 2012 Annual Campaign, and we want to use it to let you know that, by participating, you’re making a vital (and tax deductible—TODAY IS YOUR LAST DAY TO DO SO, SO DO IT NOW!) gift toward all of the nonprofit publishing, programing, and educational efforts here at Three Percent/Open Letter. And, even more, you’re joining us in helping to diversify our larger literary landscape.
We can’t thank you enough for your shared interest, support, and appreciation of how these many publications and programs make enriching contributions to our culture.
Finally, we have a challenge for all those who haven’t yet contributed: $10. It doesn’t seem like much, but when each of you gives just a little, the total effect is huge. Your gift really does make a outsized impact, far exceeding the simple dollar amount.
And, as a special incentive, 1 in every 10 donors (making a gift of any amount) will receive a free Open Letter book of their choice.
Thanks, again, to all of you this holiday season!
Chad W. Post
Publisher & Director
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .