15 May 13 | Chad W. Post | Comments

Another favorite translator—Allison Powell—has just launched Japanese Literature in English, a website that plays to all of my databasing and list making impulses.

japanese literature in english is a searchable database that compiles all literary works translated from japanese to english and available in the united states (with some exceptions). entries are still being added, and suggestions for inclusion are welcome.

You can search by author, title, translator, subject, publication date, and publisher, and can click on various tags, such as “japanese americans, fiction” or “jesus christ, biography” (which leads to exactly one title, Endo’s A Life of Jesus).

Very helpful for those interested in finding out what’s out there, and a nice way to make sure I don’t miss too many Japanese books in the Translation Database. (Which, yes, I’m updating right now. This is a good week for mindless tasks like entering ISBNs, author names, titles, and whatnot. So expect an update soon.)

7 May 09 | Chad W. Post | Comments

Corridor of Dreams, which is the May issue of Words Without Borders, is now available online and focuses on contemporary Japanese literature. From translator and guest editor Allison Powell’s introduction:

Over the past several decades, a steady stream of fascinating writers from Japan have appeared in English, including two Nobel prize winners, Yasunari Kawabata and Kenzaburo Oe, as well as the now wildly popular Haruki Murakami. It may seem, however, that in recent years the stream has slowed to a trickle. Therefore, it has been my pleasure to act as guest editor for the Japan issue of Words Without Borders, and to have the opportunity to introduce new writing and new authors to WWB‘s audience.

The Japanese authors and works assembled here are not necessarily unified by any particular theme. I set out to showcase the robust variety of contemporary Japanese fiction, and I think these writers demonstrate just that, brilliantly. Most of the authors featured here have been writing for years and have well-established audiences in Japan. They have all been recognized with various literary awards and accolades, yet very little of their work has been published anywhere in English.

The point about how Japanese translations into English have “slowed to a trickle,” is absolutely true, although thanks to the Japanese Literature Publishing Project and Vertical, the situation is much better than it would be.

According to the Translation Database in 2008, 23 Japanese works made their way into English; so far in 2009, only 12. But of these 35 titles, 15 were published by Vertical—a press exclusively devoted to publishing Japanese literature, especially in the horror and thriller categories—and another 7 (at least) were funded by the JLPP—a program by which texts are selected, translated, and then offered to publishers. And if anyone publishes a JLPP book, the JLPP buys back a certain number of copies to send to libraries around the world.

Remove the JLPP influence and Vertical’s mandate, and you end up with only 13 Japanese titles coming out over the past two years. (Something similar happens to Arabic literature when you look beyond what the American University of Cairo Press is doing.)

Some of the fiction pieces included in this issue are: an excerpt from Sogil Yan’s Corridor of Dreams (translated by Linda Hoaglund), an excerpt from Kaho Nakayama’s Sentimental Education (translated by Allison Powell), and an excerpt from Hiromi Kawakami’s Manazuru (translated by Michael Emmerich).

And speaking of Michael Emmerich, he also has a short essay in this issue entitled “Beyond Between: Translation, Ghosts, Metaphors,” which opens with an bit about the meaning of the word “translation”:

In order for “translation” to have any meaning at all, it must be translatable into other languages; but the moment it is translated, it is swept up in a system of differentiations different from the one in which it is enmeshed in English—indeed, it doesn’t even have to be translated, because the word itself implies its own connectedness to these other systems of differentiation. Translation must be viewed as a node within which all the ideas of translation in all the languages there ever have been or could ever be might potentially congregate, intersect, mingle.

On top of all this, there are also reviews of Takashi Hiraide’s For the Fighting Spirit of the Walnut (winner of the 2009 Best Translated Book Award for Poetry) and Satoshi Azuchi’s Supermarket: A Novel (which is a JLPP book).

Very solid issue . . .

....
The Antiquarian
The Antiquarian by Gustavo Faverón Patriau
Reviewed by P.T. Smith

Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .

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Elsewhere
Elsewhere by Eliot Weingerber (ed.)
Reviewed by Grant Barber

What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .

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The Hen Who Dreamed She Could Fly
The Hen Who Dreamed She Could Fly by Sun-mi Hwang
Reviewed by Chris Iacono

Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .

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Sankya
Sankya by Zakhar Prilepin
Reviewed by Kseniya Melnik

When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .

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Stalin is Dead
Stalin is Dead by Rachel Shihor
Reviewed by Tiffany Nichols

Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .

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Paradises
Paradises by Iosi Havilio
Reviewed by Andrea Reece

Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.

The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .

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Two Crocodiles
Two Crocodiles by Fyodor Dostoevsky; Felisberto Hernández
Reviewed by Sara Shuman

This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .

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