Over at GoodReads, we’re giving away 20 copies of Angel Igov’s A Short Tale of Shame, co-winner of the 2012 Contemporary Bulgarian Writers Contest.
After deciding to take a semester off their studies to think about future plans, long-time friends Maya, Sirma, and Spartacus decide to hitchhike to the sea. Boril Krustev, former rock star and middle-aged widower who is driving aimlessly to outrun his grief, picks them up and accompanies them on their journey. It doesn’t take them long to figure out they’re connected to each other by more than their need to travel—specifically through Boril’s daughter, whose actions damaged each of the characters in this novel.
Co-winner of the Contemporary Bulgarian Writers Contest, A Short Tale of Shame marks the arrival of a new talent in Bulgarian literature with a novel about the need to come to terms with the shame and guilt we all harbor.
Click below to enter the contest!
Tom and I will record our “official” 2013 preview podcast tomorrow, so you can look forward to that, but as a way of upping the number of books we can talk about on the blog, I’d like to start a weekly “preview” column. Something that may not always be that serious, yet will at least give some space to recently released or forthcoming titles. I’m sure that this will evolve over the next X number of weeks, so please cut me some slack on these first few . . .
Sandalwood Death by Mo Yan. Translated from the Chinese by Howard Goldblatt. University of Oklahoma/Chinese Literature Today. $24.95
Jonathan Stalling of Chinese Literature Today — which really probably definitely shouldn’t be abbreviated as “CLT” . . and yes, I am 12 — spent a good 10-15 minutes of MLA explaining to me why this book was so awesome. I forget all the plot details, but I do remember the bit about an executioner taking someone apart over a series of pages . . . So, to go along with the almost nauseating amounts of meat mastication in Pow!, readers coming to Mo Yan post-Nobel Prize also have the option to read about the “gruesome ‘sandalwood punishment,’ whose purpose, as in crucifixions, is to keep the condemned individual alive in mind-numbing pain as long as possible.”
I have to say, the more I read about Mo Yan’s books, the more I dig him . . . And I’m really looking forward to reading this before teaching Pow! in my Translation & World Literature class this spring.
Generally, I’m not a huge fan of book trailers, but I have to admit, the one that CLT did for this is really pretty elegant and cool in an anime sort of way.
I have more to post about Chinese Literature Today, but I’ll save that for later. For anyone interested in checking this out, here’s a link to a sample of the novel.
The Eleven by Pierre Michon. Translated from the French by Jody Gladding and Elizabeth Deshays. Archipelago Books. $18.
The only thing I know about Pierre Michon is that one of his earlier novels, Small Lives, which is also published by Archipelago, is loved by basically everyone.
For a while I was creating a playlist on Spotify of songs with numbers in them. Things like “Water” by Poster Children, or “Slow Show” by The National, or “Airplane Rider” by Air Miami (a personal favorite), or “Universal Speech” by The Go! Team, or whatever. I’m not sure why, but there’s something about people yelling out numbers (or referencing a particular age, as in The National song) that does it for me. It’s one of my “secret cues” that cause me to almost always love a song. (That and hand clapping. And sing-along choruses.)
I don’t think that same thing works for me with book titles. But Fifty Shades of Gray? Maybe this is some sort of subconscious tic . . . (Like A Thousand Morons! Or A Thousand Peaceful Cities.)
18% Gray by Zachary Karabashliev. Translated from the Bulgarian by Angela Rodel. Open Letter Books. $15.95
A few months back, Zack called Nate and I to talk a bit about plans for his book and marketing and all that. In the course of the conversation, he told us about his elderly friend who was anxious to get a copy of his book.
“She called me the other day and said she’s seen it on the table at the bookstore and was really excited for me. I told her that it couldn’t possibly be my book. That my book hadn’t been printed. But she was convinced. ‘No, no, it was your book, Zack. And it’s pretty dirty!’ Only then I realized she was talking about Fifty Shades . . . “
All books containing a number and the color “gray” are the same! If only we could somehow use this to our advantage . . . Should’ve included that choker necktie on the cover.
That said, Zack’s book does have a spot of banging in it. It’s more of a nostalgic, romantic book than an erotic one, but there is something sexy about a good number of the scenes. Especially the conversations between the protagonist and his now-missing wife that take place while he’s photographing her . . .
As promised last week, here’s a bit more information on 18% Gray, one of this year’s Bulgarian Contemporary Novel contest’s co-winners.
18% Gray is a sort of non-linear road novel. In the present, Zack is traveling to the East Coast trying to sell off the huge bag of marijuana that has come into his possession. Parallel to this storyline is a set of flashbacks detailing his obsessive romance with the now disappeared Stella. The plot shifts from present-day California to Eastern Europe in the nineties; it runs through anti-communist student rallies, and continues with the young couple’s exodus to America.
This paragraph from the synopsis also grabbed me:
Driving to New York, equipped with an old Nikon and bunch of expired black and white film rolls, Zack starts photographing an America we rarely see. Faces, roads, buildings, nature—everything caught on his film is raw and genuine. Zack captures America as if noticing it for the first time; as if he has never learned how to take pictures. Zack photographs America the way America no longer is—real.
Here’s an excerpt of the excerpt. The full book will be available to reviewers and booksellers by next summer, and will officially drop in November 2012:
She’s been gone nine mornings.
The blinds in the bedroom are shut tight, but the day still finds a way to get in, and with a roar – the garbage truck. That means it’s Wednesday. That means it’s eight-fifteen. Is there a noisier noise than the noise of a garbage truck at eight-fifteen?
I crawl out of bed, stagger to the living room, and flop down on the couch. The cool leather doesn’t help me fall back to sleep, and the garbage truck rumbles closer. I get up, push aside one of the blinds, a bright ray burns my face. I focus my powers and attempt to dismember the roaring green monster with a gaze. The effort only succeeds in waking me up completely.Read More...
It would be hard to overstate all the amazing things the Elizabeth Kostova Foundation for Creative Writing (and Elizabeth herself) has done for contemporary Bulgarian writers. Sure, there’s the Sozopol Fiction Seminars, but they also organized a special day of panels on Literary Diplomacy to take place in Sofia, helped bring publishers and Bulgarian writers & translators together, sponsor the Dyankov Translation Award for the most outstanding translation from English into Bulgarian, and now have helped launch the Contemporary Bulgarian Writers website to help promote Bulgarian writers abroad.
For publishers, these sorts of sites are invaluable. Aside from random meetings at the Frankfurt Book Fair, or personal connections developed slowly and one-by-one over the years, it can be extremely hard for editors to find out about contemporary literature from countries such as Bulgaria. (And by “countries such as Bulgaria” I mean ones that don’t have an active governmental organization like the Finnish Literature Exchange, German Book Office, French Cultural Services, Japanese Literature Publishing Project, etc., promoting their contemporary writers to the rest of the world.) Beyond identifying new writers to check out, a site like this helps provide a bit of context for any submissions that an editor does happen to receive. I mean, there are only a handful of Bulgarian novels that have ever been published in English, so it’s hard to understand the tradition and evolution of Bulgarian literature.
Seriously—anyone interested in Bulgarian (or simply international) literature should check this out. I’m sure that it’ll expand greatly over the next year, but the site already features maybe two dozen writers (and a handful of Bulgarian-to-English translators), and has biographical info, excerpts, critical reviews, contact information for all of them.
One author worth looking at is Zachary Karabashliev, whose first novel won the Book of the Year Award from the Vick Foundation and was chosen as one of the 100 Most Loved Books of All Time by Bulgarians, and his first collection of short stories won the Book of the Year Award from Helikon. He’s a very funny guy, and his stories are quite sharp.
In terms of translators, Angela Rodel deserves some special attention. She translated all of the pieces by the Bulgarian writers at the Sozopol Seminars AND she just was awarded a PEN Translation Fund Award for Georgi Tenev’s Holy Light, which sounds pretty interesting:
Alloying political sci-fi with striking eroticism, the stories in Holy Light depict a world of endless, wearying revolution and apocalypse, where bodies have succumbed to a sinister bio-politics of relentless cruelty and perversion. “In first class they offered easy emancipation, perhaps even electrocution, but he was traveling economy class where they wouldn’t even serve him food.” (No publisher)
(I was actually on a panel with both Georgi and Angela—both very smart, very interesting people.)
By the way, if I haven’t said this in a while, all fiction writers should apply to the Sozopol Fiction Seminars . . .
“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .
With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .
In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .
You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .
The narrative history of. . .
Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .
Alessandro Baricco’s Mr. Gwyn is a set of two loosely interlinked novellas that play with narrative and the construction of character. Ably translated by Ann Goldstein, Mr. Gwyn plays some subtle metafictional games as Baricco delves into what it means. . .
I must admit upfront that I went into reading Saadat Hasan Manto’s Bombay Stories almost entirely blind. I have not read Salman Rushdie. I have read, perhaps, two short stories by Jhumpa Lahiri. I might shamefully add that I really. . .