After a three day marathon of reading a seven-person panel of judges for the Festival of German-Language Literature announced Leif Randt as the winner of the Ernst Willner Prize for his novel Schimmernder Dunst uber CobyCounty (The Haze Over Coby County), translated by Stefan Tobler.
The Festival, formerly known as the Ingeborg Bachmann Prize, takes place yearly in Klagenfurt, Austria as a publicized event and since 2006 has been endowed yearly with EUR 25,000 in prize money. It is currently one of the most important awards for German literature. Submissions to the competition must be previously unpublished and have their original language as German, and during the judging process competitors must convince the public, the jury and its auditors of the quality of their pieces.
As part of this year’s Festival, Leif Randt was awarded the Ernst Willner Prize, so named after one of the Festival’s founders, for his work which has since been published.Schimmernder Dunst tuber CobyCounty has since been accepted by the BerlinVerlag publishing house and will be out in print in August. The book is Randt’s second novel to be published and follows his promising first _Leuchtspielhaus (Luminous Playhouse) which appeared in 2009 and won the Nicolas Born Debut Prize.
This is why I love Eurozine:
Though still routinely referred to as Germans, Austrian novelists have experienced a recent run of critical and commercial success. The “difficult” prose of the past has been replaced by a focus on story-telling, with women writers producing no less interesting work in the genre than the new male “narrative miracles”. Yet experimentalism is by no means out: darkly humorous and self-referential “writer’s novels” are also booming. In the latest essay in Eurozine’s series “Literary Perpsectives”, critic Daniela Strigl surveys a contemporary Austrian scene at the top of its game.
There’s a lot to digest here, and a lot to check out.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .